StageBuzz Blog

Chronicle of my Curious Corona Case / Susmita Mukherjee

So for 21 days after possible infection I was sustaining without any medicine, only on fruits and coconut water. Suddenly on 30th morning, I woke up with a panic attack and called my doctor in Mumbai who immediately prescribed some pills and asked me to take the RTPCR test. Now this test had been the bone of contention for a while. My younger son who is studying to be a scientist in New Zealand, along with his school classmate, My doctor,, who is in the frontline of Covid treatment in India, had been pleading with me to get a test done. I had dismissed it as medical haranguing.I had first heard the term from my very concerned older sister, and ofcourse I was determined not to go to any hospitals for testing ( Pateli) But my Mumbai doctor was not going to listen to this insane patient in Orchha. A conversation happened between him and my husband and I was bundled off to to our small but clean hospital in the village where they stuffed some cotton up my nostrils and the dreaded RTPCR test seemed like child’s play.

Folk Dances of India: Ghoomar

Rajasthan is well famous for its vibrant traditions, enthusiastic dance forms and elegant culture. Ghoomar is just another spectacle of this diversity and culture that started with the Bhil tribe to worship Goddess Sarasvati and is now embraced by other Rajasthani communities. Typically performed by women, Ghoomar gained popularity during the reign of Rajputanas, who ruled Jaipur after defeating the Bhils. It showcases the rich culture of Rajasthan through aesthetically pleasing movement and traditional attire. Tourism in Rajasthan has boosted due to the peculiarities of regions, their manner of dressing, traditions, and folk dances. Ghoomar was a tribal dance that graduated to a folk routine that has now assumed international proportions thanks to a vibrant culture and its recognition as a pride of India.

Folk Theatre of India: Nautanki

Nautanki is one of South Asia’s most famous folk theatre performances, especially in northern India. Nautanki was the most significant source of entertainment in most of the cities and villages in north India.​ Nautanki’s rich musical compositions and humorous storylines hold a strong influence over rural people’s imagination. Nautanki, also known as svang, originated in the late 19th century in Uttar Pradesh and steadily gained popularity.​ Nautanki’s origins lie in the Saangit, Bhagat, and Swang musical theatre traditions of Northern India. One Saangit called Saangit Rani Nautanki Ka became so popular that the whole genre’s name became Nautanki.​

Folk Theatre of India: Yakshagana

Yakshagana is a traditional folk art developed in the western parts of Chikmagalur districts in Karnataka and Kasaragod district in Kerala. Yakshagana comprises music, dance, theatre, costumes, and makeup with a blend of unique style and forms.​ It is said to have evolved from pre-classical music forms and theatrical arts during the Bhakti movement. Yakshgana is referred to as ‘Thenku thittu’ towards the south from Dakshina Kannada to Kasaragod in Tamil Nadu, whereas it is referred to as ‘Badaga Thittu’ north of Udupi.​

Folk Dances of India: Raas Leela

Raas Leela, commonly referred to as Krishna dance, is a folk dance form that predates ancient history and is part of the traditional stories of Krishna in which he dances with his lover, Radha. Raas means aesthetics, and Leela means to act or play, which translates to “play of aesthetics”.

Pagglait; a film with a different streak / Sanjiva Sahai

The ensemble cast empowers the film with authenticity and some memorable moments. The patriarchy, the inner wranglings, the greed, the romance –  it’s all there in this saga featuring three generations. Sanya Malhotra shines gloriously in an understated performance.

Folk Theatre Forms of India: Tamasha

Tamasha is considered a major traditional dance form of the Marathi theatre, which includes celebration filled with dancing and singing and is performed mainly by nomadic theatre groups throughout the Maharashtra region. Marathi theatre marked its journey at the beginning of 1843.​3​ In the following years, Tamasha primarily consisted of singing and dancing, expanded its range.