Vivan Sundaram – a tribute – Archana Hebbar Colquhoun
I missed seeing Vivan’s stupendously varied body of work as it was developing and the startling constructions he made and exhibited over the decades, since I moved to Tokyo in the late 1980s.
I missed seeing Vivan’s stupendously varied body of work as it was developing and the startling constructions he made and exhibited over the decades, since I moved to Tokyo in the late 1980s.
by Archana Hebbar Colquhoun · Published 4 November 2022 · Last modified 5 November 2022
An important lesson I learnt from doing this show was that when an idea starts to take the shape of an object a dynamic external entity may completely hijack your carefully planned art work.
Shalini Patel’s drawings, some in pencil and others in charcoal were done during lockdown. Nowhere to go, nothing much to do outside with friends, acquaintances or passers-by; she had all the time on her...
The Gond art form in contemporary times has reached the global scale with the efforts of modern artists and the steps of the government to preserve the art form. ………
The trajectory of my art practice takes on a zigzag path sometimes; and at other times a circuitous one or a U-turn that I didn’t expect to take. The work “The General” is one...
The operative system that Kolte found for his works was in a way colour field, but fundamentally different from that of the colour field abstractionists of his time like Marc Rothko, Robert Motherwell, Clyfford Still and so on. What he made was not even remotely similar to the paintings by KCS Paniker in the south or GR Santhosh or Biren De in the north.
The Preview will be followed by wine and cheese
The exhibition will be on view until 10th December, 2021. Monday-Saturday, 11am-7pm
The sculpture shown below is a faithful depiction of the person I passed by in the street in as far as the main feature of “a man walking backwards” (seen from the point of view of the feet) is concerned. But there are other metaphorical features to the form of the body, all of which are hidden at the back, which are revealed when the viewer goes around the sculpture to inspect the feet.
The trajectory of my art practice takes on a zigzag path sometimes; and at other times a circuitous one or a U-turn that I didn’t expect to take.
The pandemic is growing rapidly all over the world. With aim of spreading hope and remembering Pandit Rajan Mishra ji (who passed away on the 25th of April), SPIC MACAY dedicates its online 3-day...
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