A CRITICAL REVIEW By Dr. Payal Trivedi Well, any theatre performance is meant to entertain is an understatement today because we have all come to terms with the fact that theatre is much more...
By now you must be very excited to see the actual workshop conducted by Prof. Manohar Khushalani. Please watch the film of the actual workshop and listen to participants feedback also
Sri Chaitanya, a prominent saint during the Bhakti moment is credited to be the inventor and the promoters of this music enriched form of theatre. It is widely believed that the first spectacle of the play was also done by Sri Chaitanya wherein he played the role of the Rukmini in the play, Rukmini Haran (the play was based on a story in the life of Lord Krishna).
Putting up any production can be most daunting for most theatre practitioners in India. It is customary for most Indian directors who many times, run small amateur theatre groups to not only foot all...
10 golden pointers to be kept in mind while writing children’s plays.
1) Do not be afraid of using contemporary language and one can even throw in few phrases in Hindi, if the need be. Make it Hinglish if you want.
2) Children love comedy. They might not have the same taste as adults and might find things like “ farting” “ throwing up” comic. Add them to the script, they just add to the flavour. Please do not become prudish.
3) Another thing that fascinates children is the idea of mystery and surprise, you can use them too.
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The word ‘Bhand’ means the traditional and the age-old folklore entertainers from India, Nepal, Pakistan. The form had thrived and grown manifolds during the peaceful times in the valley. However, with the rise of anti-societal elements, the art form has given the theatre form a huge setback. Society must progress towards peace and let the lost theatre form regain its formal glory.
During the six-days there will be participation from ten different directors on one platform. The directors are: Chandershekhar Sharma, Vishaw Deepak Trikha from Rohtak, Rajesh Tiwari, Ashraf Ali, Varun Sharma, Sunil Chauhan and Shyam Kumar and the plays are ‘Lajwanti’ , ‘Gadhe Ki Barat’ , ‘Kambakht Ishq’, ‘Jaanch Padtal’ , ‘Charandas Chor’ ,‘Aadhe Adhure’ ‘Digdarshak’ , ‘Shikasta Booton Ke Darmiyan’ ‘Chuhal’ & ‘Ek Ruka Hua Faisla’.
Natsamrat has been at the forefront of Capital’s amateur theatre movement for the last 24 years,
presenting entertaining and socially conscious theatre, participating in the prestigious theatre
festivals and organizing every year theatre festival featuring work of leading theatre directors.
Under the inspiration guidance of its founding director Shyam Kumar, a seasoned director and
actor, Natsamrat has instituted awards which are given away every year to theatre practitioners –
directot, actor (male and female), playwright, backstage performer, critic, lifetime achievement,
theatre promoter – of eminence.
According to the Merriam Webster dictionary, Symbolism is defined as- the art or practice of using symbols especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means...
He became a film actor and give a resounding performance as the school master driven mad by the kidnapping of his beautiful wife by the lustful brothers of the local Zamindar. He also gave a fine account of himself in Swami directed by Basu Chatterjee. He appeared as an actor in films and Television, not only because he could test himself in another medium but also to buy the freedom to pursue his activities in the Theatre, namely writing plays.