लेखक: अनिल गोयल महरषि वाल्मीकि की रामायण ने पिछले लगभग सात-आठ हजार वर्षों में कितने ही रूप धारे हैं. हर काल में वाल्मीकि–रचित इस महाकाव्य को हर कोई अपने तरीके से सुनाता चला आया...
Encouraged by the response to performances of Tasher Desh in Kolkata and Santiniketan last month, the team is making efforts to organize shows in other parts of West Bengal, Delhi and Mumbai
Jhora folk dance is native to the states of Himachal Pradesh and Uttarakhand where it is celebrated with all pomp and show during the springtime celebrations by the locals. Jhora folk dance finds its root in the Kumaon region of Uttarakhand, historically known as Uttaranchal.
Bhangra is a fusion of numerous folk dances spread throughout the geography of Punjab. These dances include Jhummar, which has a 16-beat dhol cycle, from Jhang-Sial, Sialkoti from Sialkot, Sammi etc. With the flow of time, a uniform bhangra routine formulated with the local dance forms being specific sections in routine.
The first obituary of the theater was written in the 1920s when the talkies ushered in a new era of entertainment. But not only did the theater survive the competition from cinema, the Broadway Book Musicals became a billion-dollar industry around the time. The first real blow to small regional and off-off-Broadway theater came from the television in the 1960s when a television set became a household item. But that did not stop Tennessee Williams and Arthur Miller from writing great plays. They forced the audience to return to the theaters. Harold Pinter, Beckett, Albee, and more recently Mamet created scintillating works for the stage despite the competition from the cinema and the television industry. The competition challenged theater to become more daring and intelligent.
Rajasthan is well famous for its vibrant traditions, enthusiastic dance forms and elegant culture. Ghoomar is just another spectacle of this diversity and culture that started with the Bhil tribe to worship Goddess Sarasvati and is now embraced by other Rajasthani communities. Typically performed by women, Ghoomar gained popularity during the reign of Rajputanas, who ruled Jaipur after defeating the Bhils. It showcases the rich culture of Rajasthan through aesthetically pleasing movement and traditional attire. Tourism in Rajasthan has boosted due to the peculiarities of regions, their manner of dressing, traditions, and folk dances. Ghoomar was a tribal dance that graduated to a folk routine that has now assumed international proportions thanks to a vibrant culture and its recognition as a pride of India.
Raas Leela, commonly referred to as Krishna dance, is a folk dance form that predates ancient history and is part of the traditional stories of Krishna in which he dances with his lover, Radha. Raas means aesthetics, and Leela means to act or play, which translates to “play of aesthetics”.
Tamasha is considered a major traditional dance form of the Marathi theatre, which includes celebration filled with dancing and singing and is performed mainly by nomadic theatre groups throughout the Maharashtra region. Marathi theatre marked its journey at the beginning of 1843.3 In the following years, Tamasha primarily consisted of singing and dancing, expanded its range.
Bihu is a merry dance emphasizes the Assamese tradition’s cultural roots symbolizing the beginning of the agricultural season in the Northern parts of India. It represents the integral relationship between agriculture and fertility and embodies growth and celebrates bountiful harvests and abundance. These traditions of songs and dances depict the feeling of support and love of the community with each other.
One of India’s famous classical dances that represent the historical enchantress avatar of the Hindu god Vishnu was developed in Kerala called Mohiniyattam. The Mohini myth forms the heart of every Mohiniyattam performance as it stands for good prevailing over evil. It utilizes the sign language (mudra) to expressing emotions through a musical performance wherein the performer identifies herself with the character and resonates her sentiments.