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Category: Uncategorized
Under the Grid of Sub Reality / Susmita Mukherjee
The old hag lay face down,Her dried hair up in the air,Like dry twigs after harvest.Her scrawny left arm upturnedat an angle, as if not sure,whether for alms or in benediction;Her other hand, mottled,...
Balasubramanian G’s Play: Thoothukudi Massacre 13
Dramaturge & Director: Balasubramanian G Group: NSD Diploma Production, New Delhi Language: Hindi Duration: 1 hr The Play The play aims to give voice to the dramatic event of Tuticorin Massacre and how non-democratic...
NSD Diploma Production, New Delhi
This play is a part of National School of Drama’s graduate showcase of class 2018. It aims to provide a platform to encourage emerging theatre practitioners to share their work with wider audience.
Tathagat, the play by Abhishek Majumdar
Tathagat is A play presented by Jana Natya Manch is written and directed by Abhishek Majumdar. Music is by M.D. Pallvi Set in an imaginary Buddhist kingdom in ancient India, Tathagat explores the ideas...
Siesta at Charles De Gaulle Airport by Shanita Vichare
Siesta at Charles De Gaulle Airport ! Down The Memory Lane….. ( my flight was delayed ) No hurried spaces, to foot fall I sat; Raising my hopes, for the next flight On Time…”Qui...
‘MAND’ folk songs of Rajasthan by Kachra Khan Mangniar
Sangeet Natak Akademi presents Special Documentation and presentation of ‘MAND’ folk songs of Rajasthan by Shri Kachra Khan Mangniar on 28th June 2017, 4:00pm onward at Meghdoot -III, Rabindra Bhawan, Copernicus Marg, New Delhi...
Nostalgia Street
by Manohar Khushalani Having been associated with Street Theatre from late seventies my memories of Jan Natya Manch are equally old. It was way back in 1977 that I first met Safdar Hashmi. Our...
Begam’s Pillow from India or Muare from Argentinia?
Ravindra Tripathi’s ‘Muare’ – Movements and Physicality Tuesday (11.01.2011) was not as cold as the previous days. The sun was in the sky and the earth was having a sigh of relief. The atmosphere...
The Dilemma of Chau – Problems of Being Folk by Gouri Nilakantan
Chau Dance on The BL Piazza To categorize and delineate any dramatic performance as being folk, traditional or modern would be simply dispensing them off that can endanger our readings and interpretations for it. ...
