The Play

Jadubangsho boldly faces the problems of a tumultuous time. The time is the independent India in the 1950’s, with Bengal cut in two- trying to survive the severing of old ties of languages, lives and love. Jadugopal’s business flourishes in North Calcutta, but he is easygoing and childish. His wife Nandorani blames his laidback attitude for the fact that they are still without a child. She devotes all her time to rituals in a hope that an heir is born, even though both husband and wife are way past their prime. With them stay Jadu’s brother Narugopal who is a Jatra proprietor, rendered out of work because of the violence and restrictions that came with partition and Fagun, an employee’s daughter from East Pakistan who has taken shelter from the mayhem all around.  Dhurjoti, a distant relative of Jadugopal looks like a perfect gentleman, but is a thief unlike Sanai who though jailed for robbery, is not a thief. The two meet one night when a group of refugees are looking for a lost child.

 Director’s Note

The borders drawn in 1947 ripped not only across geographic terrain but deliberately tore people on the basis of religion, tearing individual from individual, threatening to wipe out the bonds of love and caring we shared since the beginning of time. Independence came to Bengal demanding labels. People were displaced, terrorised and killed. An entire generation was brutalized.

This play does not really focus on the anger and agony that Partition brought. It focuses on human relationships and the urgent need for communal harmony, a bonding across economic and social strata, a sense of belonging on which can grow a healthy sense of nationhood without religious considerations of any kind. More people are killed in the name of religion than anything else. As Jean Paul Sartre would have said Religion has proved to be a “costly hypothesis”.

The production is also keyed to that…the stage is uncluttered and we go less for period sets, more for authentic thoughts and feelings that are often obscured by political propaganda. My characters (as varied as the birds on a tree) dominate with their backgrounds, their beliefs, their interactions…The music refers briefly to the sentiments of the time but the theme music rolls in and out constant, unbroken like the tune that binds all together.

 The Director and the Playwright

Manoj Mitra is the president of the Paschimbanga Natya Akademi (Govt. of West Bengal), and Sundaram. His professional career began as a professor of Philosophy at the Ranigunj College. Today he is a leading playwright of Bengal. He has till date written over a hundred plays like Mrityur Chokhe Jal, Sajano Bagaan, Parabas, Alokanandar Putra Kanya, Mesh O Rakhash, Noisho Bhoj, Operation Bhomragar etc. His works have been translated into many languages and produced by directors like Ratan Thiyam, Rajinder Nath and others. They are extremely popular in Bangladesh, America, Australia, England and other places.  He has written several books on film and theatre and is the recipient of many awards like, Sangeet Natak Akademi Award, Calcutta University Award, Bengali Stage Centenary Award, State Government Award, Filmfare Award for Best actor, Bangavibhushan Award etc.

The Group

Dedicated to the theatre of conscience, a tireless seeker of truth and beauty in all its forms –‘Sundaram’ was found in 1957 by a handful of college friends. The founder members of the group are: Manoj Mitra, late Partha Pratim Chaudhury, Prasanta Bhattacharya, Dulal Ghosh and others. Soon many more came to be associated with the group. At 58 with many new members Sundaram has a history of over 65 immensely popular original productions. To meet the paucity of original scripts in Bengali, for the last 23 years, the group has been conducting the only annual Bengali playwriting competition– ‘Parthapratim Sarane Smriti Purashkar’. It has also launched two awards for children and backstage artists- Ananta &Ashim Purashkar.

Touring India and abroad Sundaram has won many, national and state-level, governmental and non-governmental awards and has, more importantly, won the support of countless theatre lovers.

Manohar Khushalani

Manohar Khushalani

Prof. Manohar Khushalani is a former Visiting Faculty at Indraprastha Institute of Information Technology, Delhi. The courses he taught were: Animation & Graphics, Non-Linear Editing for Film and Radio and Theatre Appreciation.  He has won a total of nine Excellence in Teaching awards for all the courses he has taught at IIITD Earlier he retired from Government of India as Director Environment Management, Central Water Commission and held many senior positions in the Government Based on a Belief that Culture and Environment are the two keys to global sustainability , Manohar Khushalani has launched two portals: A Portal on Environment and Water called One Vorld at url: www.onevorld.org and two Ezines on Culture called Stage Buzz at url: www.stagebuzz.in He has taught extensively in varied subjects such as Dam Safety, Instrumentation, CAD, IT, Animation, Theatre, Newspaper Editing. He has conducted Courses on Environment Management, Water Shed Development, Team Building and Personality Development. He was an Expert Member of Prasar Bharti’s Committee for Grading & Short listing Films for Telecast on all channels of Doordarshan.  He is a Radio Anchor for All India Radio and has moderated several programs for the Rajdhani Channel He is a well-known Theatre Actor/Director and Critic, has been involved in theatre since 1977. He has worked as an actor in over 50 plays with almost every leading director/Actor in the Country including Badal Sircar, Feisal Alkazi, Amal Allana, M.K. Raina, Anuradha Kapoor, Maya Rao, Manohar Singh, Prasanna, Rati Bartholomew and Sushmita Mukherji. He has been active in the social sector as a street theatre activist. As a member of Workshop Theatre, Theatre Union and Prayog, Khushalani has participated in street plays taking up major social issues such as dowry, bride burning, Sati, banned medicinal drugs and communalism. Dario Fo’s Accidental Death of an Anarchist and Can’t Pay Won’t Pay, both directed by him, received rave notices from critics and audiences alike. Other plays directed by him include Badal Sircar’s, Sagina Mahato and Boris Vian’s Empire Builders for Ruchika Theatre Group. Khushalani has also acted in a few films such as Sudhir Mishra's Hazaron Khwaishen Aisi , Shoojit Sircar’s Madras Café and Pradeep Krishan's Annie Gives Those Ones. He is an Animator & Graphics Designer and has directed a number of documentaries. He also held a number of Honorary positions and was President of North India Films Association, He was the Chairman of  Jury for UGC CEC Educational Films Competition and has been on their Preview Committee since last many years. He was on the preview committee of Door Darshan Channel 3, was a visiting Professor at National School of Drama, New Delhi, and Film & Television Institute of India, Pune, AJKMCRR, Jamia Milia Islamia and Professor in Media at FICT, Delhi  He has judged a large number of Drama Competitions and conducted a number of Theatre / Management Games Workshops with Institutions such as AIIMS, NTPC, CWPRS, NWA, Karve Nari Prakshishan Sansthan, FICT, IIT, MAMC, Gargi College, KNC, Tagore International School and Vivekananda School. He is a Theatre Critic for IIC Diary, has also been a Columnist with Midday and Pioneer Daily and wrote Column's Called Culture Cocktail and Footlights Respectively. He was also the Guest Editor for an issue on Folk Theatre of ICCR Journal Horizons. He has written for Times of Indian, Hindustan Times, Blitz, Hard News, Hindu Business Line, Theatre India & Art Times. He has designed dams and hydraulic structures for the Government. He is a programmer and has developed Engineering design software in Fortran. He is a co-author of Irrigation Practice & Design (Vol 1 to5 - 1500 pages) published by Oxford & IBH and sponsored by National Book Trust. He has been a Director, Environment and Sociology, at the National Water Academy, Khadakwasla and Director, Environment Management Directorate, Central Water Commission and Member Secretary, National Environmental Monitoring Committee for River Valley Projects. He was also Director of Instrumentation Directorate in the Dam Safety Organisation. He was Chief General Manager and Head of Water Resources at Scott Wilson and is an accredited consultant with numerous other organizations He is a Delhi Public School, BITS Pilani, IIT Delhi and FTI Pune Alumini. He was also the President of BITS Pilani Alumni Association, Pune.

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