Tamasha Na Hua by Bhanu Bharti


The Play

To commemorate Tagore’s 150th anniversary, a theatre group is shown busy, rehearsing his celebrated play Muktdhara. During the rehearsal, an argument about the relevance of the play in the present time erupts among the actors. This argument leads to the famous debate between Tagore and Gandhi, and the issue of man’s freedom in today’s scenario. The discussions leads to many real issues faced today, like the Farraka ‘barrage’ and its effect on Bangladesh agriculture and fisheries, the effects of free economy and consumerist culture on the society as well as ‘Gandhian socialism’ v/s ‘Marxist socialism’. After serious arguments and counter arguments among the actors, the debate remains inconclusive and the play unperformed.

Director’s Note

Men’s aspiration for freedom has engaged the best minds in the realms of religion, philosophy, ethics, science, arts and politics for centuries. With industrial revolution, economy acquired a central place in all the discourses related to the concept of human freedom, in modern age. With this economy, machine and its relation to the development of human society also became greatly significant.

All through the freedom movement of India, there were great minds that were watchful and emphatic in avoiding the narrow nationalistic view of freedom and kept the larger issues of men’s freedom as the central discourse; freedom, not only from a foreign rule, but a complete freedom at all levels – material and spiritual. While the freedom of the country was paramount, universal humanity was never out of sight. This was a unique feature of our ‘national’ movement for freedom. Among these great minds with a universal vision, Mahatma Gandhi and Gurudev Rabindranath Tagore were the most prominent.

I felt that Tagore’s ideologies merited a revisit in the context of the tumultuous modern times. As a tribute to his work and ideas, the play Tamasha Na Hua depicts a group of theatre actors rehearsing one of Tagore’s most popular works – Muktdhara. The narrative is essentially a discussion among the actors on the relevance of the play which leads to a serious debate about the freedom of men in the present political, technological and cultural context.

The Director and Playwright

An NSD alumnus, Bhanu Bharti is best known for his bold innovations and creativity in Indian theatre. In search of an authentic theatre experience, he has engaged in a lot of things, from conventional modes to the freedom of folk idioms, highly stylized Noh and Kabuki theatre to the utterly liberated tribal Bheel ‘Gavari’ style of his native Rajasthan. Such eclectic influences have informed his seminal directorial output like Pashu Gayatri, Amar Beej, Kaal Katha, Taambe ke Keere, Chandrama Singh urf Chamku and Katha Kahi Ek Jale Hue Ped Ne. Indefatigable and multi-dimensional, he is acclaimed as an actor and as author of original plays like Tamasha na Hua, Chandrama Singh urf Chamkoo, Katha Kahi Ek Jale Ped Ne and Nachinai. He has launched many thought provoking events such as the Centenary of Satyagraha, Pravasi Bharatiya Divas, and Celebration of Indian Freedom – Bharat Utsav.

He has been honoured with the Sangeet Natak Akademi Award in the field of theatre as a director and the prestigious ‘Nandikar’, an award for lifetime contribution to theatre.

The Group

Aaj Rangmandal was established in 1984 by Shri Bhanu Bharti in Udaipur, Rajasthan. It created a special niche for itself in the theatre scenario. During this process, a need to involve the urban actors along with tribal actors was felt, to further its creative and innovative pursuits. Thus Aaj – Delhi was found and since then, this unique theatre company consisting of the urban and the tribal actors is constantly involved in its innovative and thought provoking work. Aaj Theatre Company presents a theatre festival of its own productions in Delhi, every year. Some of its most important theatre productions are: Pashugayatri, Amar Beej, Kal Katha, Katha Kahi Ek Jale Ped Ne, Naachni, Mahamayi, Dehantar, Bapu etc.


Playwright & Director –  Bhanu Bharti

Manohar Khushalani

Manohar Khushalani

Prof. Manohar Khushalani is a former Visiting Faculty at Indraprastha Institute of Information Technology, Delhi. The courses he taught were: Animation & Graphics, Non-Linear Editing for Film and Radio and Theatre Appreciation.  He has won a total of nine Excellence in Teaching awards for all the courses he has taught at IIITD Earlier he retired from Government of India as Director Environment Management, Central Water Commission and held many senior positions in the Government Based on a Belief that Culture and Environment are the two keys to global sustainability , Manohar Khushalani has launched two portals: A Portal on Environment and Water called One Vorld at url: www.onevorld.org and two Ezines on Culture called Stage Buzz at url: www.stagebuzz.in He has taught extensively in varied subjects such as Dam Safety, Instrumentation, CAD, IT, Animation, Theatre, Newspaper Editing. He has conducted Courses on Environment Management, Water Shed Development, Team Building and Personality Development. He was an Expert Member of Prasar Bharti’s Committee for Grading & Short listing Films for Telecast on all channels of Doordarshan.  He is a Radio Anchor for All India Radio and has moderated several programs for the Rajdhani Channel He is a well-known Theatre Actor/Director and Critic, has been involved in theatre since 1977. He has worked as an actor in over 50 plays with almost every leading director/Actor in the Country including Badal Sircar, Feisal Alkazi, Amal Allana, M.K. Raina, Anuradha Kapoor, Maya Rao, Manohar Singh, Prasanna, Rati Bartholomew and Sushmita Mukherji. He has been active in the social sector as a street theatre activist. As a member of Workshop Theatre, Theatre Union and Prayog, Khushalani has participated in street plays taking up major social issues such as dowry, bride burning, Sati, banned medicinal drugs and communalism. Dario Fo’s Accidental Death of an Anarchist and Can’t Pay Won’t Pay, both directed by him, received rave notices from critics and audiences alike. Other plays directed by him include Badal Sircar’s, Sagina Mahato and Boris Vian’s Empire Builders for Ruchika Theatre Group. Khushalani has also acted in a few films such as Sudhir Mishra's Hazaron Khwaishen Aisi , Shoojit Sircar’s Madras Café and Pradeep Krishan's Annie Gives Those Ones. He is an Animator & Graphics Designer and has directed a number of documentaries. He also held a number of Honorary positions and was President of North India Films Association, He was the Chairman of  Jury for UGC CEC Educational Films Competition and has been on their Preview Committee since last many years. He was on the preview committee of Door Darshan Channel 3, was a visiting Professor at National School of Drama, New Delhi, and Film & Television Institute of India, Pune, AJKMCRR, Jamia Milia Islamia and Professor in Media at FICT, Delhi  He has judged a large number of Drama Competitions and conducted a number of Theatre / Management Games Workshops with Institutions such as AIIMS, NTPC, CWPRS, NWA, Karve Nari Prakshishan Sansthan, FICT, IIT, MAMC, Gargi College, KNC, Tagore International School and Vivekananda School. He is a Theatre Critic for IIC Diary, has also been a Columnist with Midday and Pioneer Daily and wrote Column's Called Culture Cocktail and Footlights Respectively. He was also the Guest Editor for an issue on Folk Theatre of ICCR Journal Horizons. He has written for Times of Indian, Hindustan Times, Blitz, Hard News, Hindu Business Line, Theatre India & Art Times. He has designed dams and hydraulic structures for the Government. He is a programmer and has developed Engineering design software in Fortran. He is a co-author of Irrigation Practice & Design (Vol 1 to5 - 1500 pages) published by Oxford & IBH and sponsored by National Book Trust. He has been a Director, Environment and Sociology, at the National Water Academy, Khadakwasla and Director, Environment Management Directorate, Central Water Commission and Member Secretary, National Environmental Monitoring Committee for River Valley Projects. He was also Director of Instrumentation Directorate in the Dam Safety Organisation. He was Chief General Manager and Head of Water Resources at Scott Wilson and is an accredited consultant with numerous other organizations He is a Delhi Public School, BITS Pilani, IIT Delhi and FTI Pune Alumini. He was also the President of BITS Pilani Alumni Association, Pune.

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