Director: Tushar Sonu Naik Group: Naik Mochemadkar Paramparik Dashavtari Loknatya Mandal, Maharashtra Language: Marathi Duration: 1 hr 40 mins The Form Dashavtar is a popular form of folk-art characterizing rural theatre of South Konkan...
Playwright: Snehasish Bhattacharyay Director: Sima Mukhopadhyay Group: Samstab, Kolkata Language: Bengali Duration: 2 hrs 20 mins The Play Nirupam Goswami, an ex-army man, who has now become an entrepreneur, is living a contented life...
The annual theatre festival, that will open with veteran actor-director Amol Palekar’s KUSUR, will showcase a mix of Indian and international plays New Delhi, February 1: The 21st edition of the Bharat Rang Mahotsav (BRM) – the...
When we hear the word stake holders, it reminds us of a company, with a marketing head looking into profits for the company. Do we see a theatre company to be functional as a...
Art / Performing Arts / Theatre
by Gouri Nilakantan · Published 2 February 2020 · Last modified 27 October 2023
Loosely described as, “objects used by the actor and those that are placed on stage” props are considered important as long as they serve on the stage. After the show is over very little...
by Gouri Nilakantan · Published 28 January 2020 · Last modified 30 January 2020
Aksar baat karne ki kosish main Zubaan Khamosh kyu nahi reh jaata Kyu nahi gum main asoon nikalte nahi Kya duniya ki aagosh main yese sawaar hui ki angaar baraste hain asoon nahi Kya...
Abhimanyu, is perhaps a unique character in Mahabharata whose death brings you inspiration. Pandit Radheshyam Katahvachak’s Veer Abhimanyu, a play engulfed in deceit, treachery, misuse of power, and politics Directed by Hema Singh...
Her crumpled clothes still lies on her beloved bed Her uncombed stands of hair lying still They are not strands of shredded shrouds But create the wave of tumultuous lived lives of moments …of...
“Folk”, the ordinary, the mundane, the one without any purpose, that’s the first thing that comes to ones mind when we think of the word. Is that true, can we negate the voice of...
Satyajit Ray and Ritwik Ghatak were two masters from the Bengali cinema of the 1950s. They were temperamentally dissimilar and yet they shared a common cultural inheritance left behind by Rabindranath Tagore. An inheritance...
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