Sunil Sarpal analyses the 2022 ICC T20 World Cup – semi-final between England and India

England beat India comprehensively in the semis. England won the toss and decided to make first use of the ball.

After the match, Kapil Dev very rightly pointed out that Indians are chokers. (Although this tag was originally awarded to the South African team in 1991)

Before the start of the match, Sunil Gavaskar made a valid point – that Indians chase better than setting a target.

I personally attributed India’s defeat to ‘Law of Averages’ over any other pointer. One bad day in office and India is out of the ICC World Cup.

There are some valid questions on the selection of the side.

1) What is the utility of Axar Patel in the side? Does he fit into T-20 side, if yes, then on what basis – batting or bowling or in the category of being a bits and pieces player? He is neither a free flowing batsman, nor does he spin the ball judiciously.

2) What is Ashwin’s contribution in the side? Batsmen hit him for sixers at will. He is effective only on turning tracks.

3) Rohit Sharma being the captain of the side, performed little in terms of batting. How can a non-performing captain lead from the front?

4) In this match, both Bhuvi and Arshdeep were not disciplined in line and length and gave room invariably to batsmen to play freely.

England Captain Buttler, once settled, scored heaps of runs and India did not have the arsenal to get his scalp.

Indians batted poorly during first 6 overs and scored only 36 runs for the loss of KL Rahul. Another noticeable fact is, that Kohli does not score as quickly as Hardik or Surya K Yadav.

Making a mockery of Kartik vs Pant selection does not leave a good taste and is not a healthy sign for their confidence. As if this is a musical chairs game for them.

One more selection error, if not made, could have strengthened Indian batting. It was the non-inclusion of specialist batsman Hooda in place of bits and pieces Axar Patel.

In a nut-shell, India lost the match because of its own selection errors.

By Sunil Sarpal

Virat Kohli leading India to victory against Pakistan in T20 world cup in Australia this October takes us back to the Asia Cup match played against Afghanistan just a little over a month ago when he broke a jinx and his resurgence began.

Indian Cricket is not spared from dirty politics and jealousies. In Kohli’s words, when he gave up captaincy, only one man showed concern and called upon him. That was MS Dhoni. Others also had his number, he complained, but were probably jealous of his record tumbling feat.

Kohli’s dipping form for over 3 years has been a cause of concern in cricket fraternity. Had he been in the Australian team, he would have been shown the exit door. But a better sense prevailed upon BCCI that he had been persisted with.

It took Kohli three years to score 71st International ton. During his dry period, Indian legend Kapil Dev talked in terms of writing him off and spoke in favour of better bench strength and in-form players.

Now, those critical of his inclusion in the side, will twist their statement, saying it was their way of motivating Virat so that he starts delivering yet again. That is why it is a well known fact that our society is riddled with hypocracy.

Now that Kohli has finally scored 71st ton, he shall be the most relieved man.

It is not imperative on part of past legends such as Kapil Dev and Gavaskar to make irresponsible statements. It’s unbecoming of their status. It is only their way to keep their name afloat and remain in the public eye. They do not want somebody else joining them in greatness. They are apparently ego-centric and biased.

Kohli, in an interview, said that till the time God wills, he will keep on playing. In fact, past legends outbursts do not bother him much. On the other hand, cricketers from abroad spoke highly of Kohli and wished him success.

Definitely, his blade will keep on accumulating runs till the time God so desires. God always stand by those who have a clean and unbiased heart, like Kohli.

There is a thin line between success and failure. It is owing to the destiny that a person brings with him which makes him successful and unsuccessful. Let us take the case of Sachin and Kambli. Both together made a mammoth batting record during schooling. Sachin reached an iconic status, whereas, Kambli fell apart mid-way. Kambli could not do justice to his talent in life. He had to abandon his career mid-way because of his destiny.Does the formulae apply – as you sow, so shall you reap?

In fact Kambli recently requested BCCI to provide him with a good job so that he could feed his family. With a meagre pension of Rs. 30,000/- p.m. he could not manage his family expenses. BCCI took little notice to his request, whereas, a businessman from Maharashtra came forward to his rescue and offered him a job worth Rs. 1 lac p.m.

As past cricketers run one work or the other. Kapil Dev has a restaurant of how own in Chandigarh. Sachin does lot of advertisements. Ganguly belongs to a very rich family in Calcutta. Ravi Shastri did coaching for Indian Team and commentary as well. Gavaskar too is doing commentary and writes columns. Ramiz Raza’s commentary skills are spot on and is much more successful and in demand. John Right of New Zealand and Gary Kirsten of SA took to coaching Indian team.

The most important feature that everybody should bear in mind is that if you opt for cricket as a career then not being successful, is not an option and you stand nowhere. One has to take the choice very seriously. Actually, decisions taken during adolescence prove to be counter- productive. Money plays a pivotal role in life and provides the right impetus to pull on and sustain the life. Do you agree. Post your views in the comments box below. 

`Ritu Beri inaugurates the exhibition, Kapil Dev sends a video message to the artist, who is back in the city after 15 years

The Mind’s Eye: a seminal exhibition of Prabhakar Kolte
Curator:  Uma Nair
9^th October –  10th December 2021
11.00am -7.00pm, Monday to Saturday
Treasure Art Gallery, D-24, Defence Colony, New Delhi- 110024

New Delhi, 9^th October, 2021: Veteran Abstractionist Prabhakar Kolte’s seminal

exhibition The Mind’s Eye, curated by Uma Nair was inaugurated at Treasure Art Gallery in the city by renowned fashion designer Ritu Beri in the presence of CDirector General, ICCR; Adwaita Gadanayak, Director General, National Gallery of Modern Art; diplomats; eminent artists like Arpita Singh, Paramjeet Singh, Rameshwar Broota; prominent gallerist & art collectors.

Kapil Dev, former Indian Cricketer who could not be present at the event, said  in a video message, “Looking forward to seeing Prabhakar Kolte’s beautiful abstract painting at Treasure Art Gallery in Delhi. This will add colour through everybody. To me definitely. All the best and hope I can have one painting in my house too. I wish everybody whoever is involved, good luck.”

Treasure Art Gallery is a contemporary art gallery owned by Tina Chandroji with two partners. The avant garde gallery located in the heart of   Delhi’s upscale Defence Colony is made up of two exhibition spaces that makes it one of the biggest spaces for exhibitions in Delhi. TAG plans to work with emerging and established artists with the central aim of allowing their work to grow both in terms of production of new projects and the making of new exhibitions.

TAG launched officially on 9^th Oct 2021 with debut solo exhibition of the abstract master Prabhakar Kolte one of the greatest mentors of the Sir J.J. School of Art Mumbai. For curator Uma Nair, “The most intrinsic quality of the gallery is the light filled window spaces and the fact that you can glimpse the masterpiece in the window as you pass by in your car.”

Kolte a famed Professor of J.J. School of Art and deeply loved by his students and collectors alike was present for the show. He ranks amongst India’s finest artists according to Nair who has followed his work for more than 3 decades. The seminal exhibition includes the portraits and still life works made during the early stages of his career, the paintings made during the formative years and the mature works made during and after realizing the hallmark art lingua that established his position in the modern art discourse.

One of the pioneers of Indian Abstract Expressionism, Kolte has been successfully carrying forward his unique abstract language for over five decades with timely innovations, experiments and changes within the same, in order to make the paintings fresh and alive. TAG houses the largest inventory of the artist’s works till now and has the ability to create a new collector base for the artist.

Uma Nair, Curator, The Mind’s Eye, said,  “The Kolte solo show has stellar works of art and they range over a period of time while most belong to the past 10 years. Amongst canvases and works on paper and drawings are three intriguing installations that add to Kolte’s repertoire of creativity. The show is expected to run for a few months so that many art lovers and students of art have the opportunity to discover this great master from Mumbai.”  

“I’m Delighted to inaugurate the Treasure Art Gallery, with an exhibit of Prabhakar Kolte, a personal favourite. I believe this show is going to be a visual delight for one and all. The Treasure art gallery is also going to add to the vibrant art scene of Delhi. We look forward to some unique collaborations between art and fashion to blur the lines between fashion and art.  Congratulations Treasure Art Gallery and I wish you all the very best. You guys are going to rock.” said  Ritu Beri, Fashion Designer and Founder Luxury League.

“We would like to add to the city’s character of art shows and hope to expand our reach with established artists as well as emerging contemporaries,” says Chandroji a second-generation art collector. “We hope to serve the arts in many ways and are looking forward to establishing new connections in Delhi which has a thriving art market.” Said  Tina Chandorji, Director Treasure Art Gallery

“I have been practicing my way of painting and it will continue till my last breath. For me painting is my passion, it’s my breath and life. I am really glad to showcase my diverse practice with the official launch of Treasure Art Gallery in Delhi. I have full faith that Treasure Art Gallery will be a great treasure to the existing art ecosystem and will definitely add value to it.  My best wishes and support are there with TAG in this new journey.” – Prabhakar Kolte, Artist

“Looking forward to viewing ‘Prabhakar Kolte’ – legendary abstract artist at the inauguration of Treasure art gallery” – Nupur Goenka, Director, GD Goenka Group

“We are delighted with the opening of Treasure Art Gallery which will be featuring the honourable Prabhakar Kolte. We fully embrace the beauty of Indian art and are looking forward to the opening.” said Mr. Ramesh Chauhan, Chairman Bisleri

“Treasure Art Gallery TAG launches itself in Delhi with a grand show of recent works of the master abstractionist Prabhakar Kolte of Mumbai.  Impressive and gorgeous in range, size and depth, the show presents Kolte in his well-regarded essentials and yet discovering something new and unexpected.

 Done largely during the pandemic, the art underlines a colourful zest for life. An intense spontaneity, well-tuned to the multiple rhythms of colours, runs across fiving you enough freedom to discover your own personal intimations of meaning and memory. A very well-appointed gallery, elegantly designed, with a magnificent show,” said Ashok Vajpeyi, Indian Poet, Noted cultural & Arts Administrator

About Treasure Art Gallery:

Located in the heart of New Delhi at Defence Colony, Treasure Art Gallery (TAG) is born out of a vision to build an institution dedicated to modern and contemporary Indian art. Treasure Art Gallery (TAG) is formally launching itself into the contemporary Indian art sector with a select retrospective exhibition of the veteran modernist Prabhakar Kolte from Mumbai.

 TAG a gallery with a difference, is aimed primarily to offer a panoramic view of the arts they represent. We aim to encourage collaboration with institutions and artists by bringing in an active discourse around art and to create business partnerships. TAG also aims to support seminars, workshops, lectures, discussions, and talks that contextualise art within critical dialogue. We truly respect and value the modern masters and simultaneously encourage emerging, cutting-edge contemporary artists. Our objective is to provide a cohesive environment where younger artists are able to contextualise their work alongside the masters of Indian art and find avenues for their own journeys.

About Prabhakar Kolte:

Short Bio:

Prabhakar Kolte was born in 1946, in a village called Nerurpar of District Ratnagiri in Maharashtra. He received his Diploma from Sir J.J. School of Art, Mumbai in 1968. He also taught there between 1972 and 1974. The artist has a number of solo shows to his credit. He has participated in many important group exhibitions both nationally and internationally. He is the recipient of ‘Druga Bhagwat Award’ for his Book ‘From Art to Art’ – a compilation of various articles on art, in 2010. He has been writing about international and national artists for the Mauj publication (Marathi magazine).

About His Work

One of the pioneers of Indian Abstract Expressionism, Kolte has been successfully carrying forward his unique abstract language for over five decades with timely innovations, experiments and changes within the same, in order to make the paintings fresh and alive. 

His early works show a strong influence of Paul Klee, the Swiss artist and teacher whose childlike figures belie the sophistication of his richly textured surfaces. Kolte’s abstract layering with paint echoes cityscapes where the signs and textures give a glimpse into his modernist consciousness. His early works are characterised by a single, dominant colour in the background, on which lighter and more complex geometric or organic forms are juxtaposed.

The operative system that Kolte found for his works was in a way colour field,  but fundamentally different from that of the colour field abstractionists of his time like Marc Rothko, Robert Motherwell, Clyfford Still and so on. What he made was not even remotely similar to the paintings by KCS Paniker in the south or GR Santhosh or Biren De in the north. He was even different from his immediate predecessors like Raza, Gaitonde, Ram Kumar and Swaminathan. But the most interesting thing about Kolte is that, throughout his career he has been having the spirit of this international abstract movement that later condensed into a life philosophy rather than being just a mere art style or lingua. Kolte is a conversion of life into terms of colour. It occupied everything pertaining to life; from music to harsh mundaneness. Using an aesthetic alchemy, he turned them into pictorial expressions that opened up wider and narrower slits allowing entry to the viewer and sealing it the next moment, a sort of visual trapping for aesthetical engagement.