Playwright & Director: Phillippe Pelen Baldini
Group: Surya Performance Lab, Auroville (T.N.)
Language: English
Duration: 1 hr

The Play
This is the story of a young boy from Nepal who has been abducted and taken away from his family and home in the Himalayan Mountains. Kidnapped and abused, he now lives in a slum in a big city in India. He is all alone in the world, living stifled in his small room. He tries, day after day, to find in his body a door that opens to the ‘Vast’, a path to his Himalaya, and his own limitless nature, beyond confinement and misery. An encounter with a strange character helps him on his journey. This is the god Hanuman, with monkey and human features, heroic, wise, and full of humour.
Vast is an organic, physical and dance based performance that is hypnotic, emotional and universal. It showcases how the human body carries in itself the memory of the ‘Vast’. How the human body – beyond ruptures, oppression and confinements – has the nostalgia of nature and vastness.

Director’s Note
For the young boy whose childhood and dreams were shattered, the journey from confinement to freedom is a process of reconnection with nature and with himself, without any limitation. In this journey he is helped by Hanuman. Together they reconnect with the ‘Vastness’ they both come from. Hanuman is introduced here as a special character, the symbol of primordial memory. The play proposes a work on the memory of the body.
We are also exploring the relationship between body and the mother-tongue, between body and the ancient mantric poetry, between body and words. We draw upon contemporary dance, theatre, vocal work, and even aerial dance to explore this inner territory between confinement and Vastness. From gravity to weightlessness, it is also an exploration of the body being free in three dimensions, and of its expansion into Vastness.

The Director & Playwright
Born in France, Phillippe Pelen Baldini is the founder of Surya Performance Lab in India. He had earlier founded the International Talipot Theatre in Reunion Island, France. He has created and directed 40 shows with dancers, actors, musicians, and video creators from Africa, India, Europe and territories in the Indian Ocean. His productions have been welcomed at Opera de Paris, Théâtre de la Ville de Paris and well-known festivals in Honk Kong, Singapore, Italy, Brazil and South Africa. He has toured and worked in 82 countries. His shows have received awards in Poland, Scotland, France, Italy and South Africa, among other countries. He also directs workshops worldwide with professional dance companies, universities, townships and communities. He is interested in indigenous culture and has worked a lot with people from different ethnic groups in South Africa including the San communities as well as other different communities.

The Group
Surya Performance Lab is a dance-theatre company based in Auroville, India. In its 50-year long history it has worked with devoted artists and has performed in more than 82 countries. This professional company is directed by Philippe Pelen Baldini and Thierry Moucazambo. The group welcomes dancers, actors, photographers, video designers, painters, etc. from India and all over the world. Surya Performance Lab endeavours to create a bridge between art, science and consciousness. Inspired by the ‘First people’, indigenous cultures, ancient traditions, new discoveries in the field of body-mind consciousness and quantum science, it creates a contemporary expression and art, a new dramaturgy holistic and humanist, open to nature and the planet.

Cast & Credits
Performers                                      Thierry Moucazambo, Gopal Dalami

Light Technician                              Ashwin Ezhumalai

Assistant Director                           Thierry Moucazambo
Director and Choreographer          Philippe Pelen Baldini

Contacts
Director, Surya Performance Lab
E-4, Sunship Apartments, Auroville, Bommayapalayam,
Tamil Nadu, Auroville, Tamil Nadu 605101
M: +91 8903869078
E: suryaperformancelab@auroville.org.in

Playwright: Girish Karnad
Director: Sanjib Ray
Group: Kathakriti, Kolkata
Language: Bengali
Duration: 2 hrs 20 mins

The Play
Kapil and Devdutta of Dharmapur are the heroes of our play. One comes from a Brahmin family and the other is a blacksmith’s son. Devdutta falls in love with the daughter of a gold-merchant, Padmini. He vows that if he marries Padmini, he would sacrifice his hands to Ma Kali, and his head to Rudra Dev. Eventually, Devdutta marries Padmini. They visit Ujjayini when Padmini is pregnant. Devdutta becomes furious when he discovers the intimacy between Kapil and Padmini. Sending Kapil and Padmini to the Rudra temple, he goes to the Kali temple and cuts his head off near the feet of Ma Kali. When Kapil returns, he sacrifices his life seeing his friend lying beheaded. Padmini too moves to do the same but Goddess Kali appears and stops her. Abiding by the direction of the goddess, she fixes the heads of Kapil and Devdutta, but on each other’s body. Although the two friends are offered life again by the grace of Ma, their heads are transposed…

Director’s Note
In 1972, Girish Karnad himself translated his play Hayavadana from Kannada into English in the eminent Theatre Journal Enact. The director of the Bengali theatre troupe Nakshatra, Shri Shyamal Ghosh requested the poet and litterateur Shri Shankha Ghosh to translate the play into Bengali at the earliest as the group was determined to stage it as their next production. Unfortunately, it was never performed by the group. Shyamal Ghosh before his demise entrusted Kathakriti to perform this play and it was revised by poet Shankha Ghosh. The present project is thus a modest endeavour of Kathakriti to accomplish the unfulfilled dream of Late Shyamal Ghosh, their preceptor.

The Director
Sanjib Ray, a retired Senior Manager in Allahabad Bank, has directed 9 one-act and 19 full-length plays for Kathakriti. He joined Nakshatra in 1967 and worked with legends like Shyamal Ghosh, Mohit Chattopadhyay, Mamata Chattopadhyay and Navendu Sen; and later worked under the direction of Jnanesh Mukherjee and Sohag Sen. Sanjib joined the drama section of Yuvavani under Akashvani as a news reader, actor, producer and reciter in 1969. He actively participated in audio plays by Akashvani commercial broadcasting. In 1989, he formed his own group Kathakriti and has remained its President-Director. He has also been the chief editor of Kathakriti Natyapatra since its inception. He was awarded the Dishari Purashkar as Best Director twice and the Ritwick Ghatak Memorial Award also as Best Director.
Recently a book, narrating his tireless journey in theatre for the last 50 years, was published and unveiled by eminent actress Smt. Maya Ghosh. At the book launch a number of eminent personalities spoke on his excellence and benevolence.

The Playwright
Girish Karnad (May 19, 1938 – June 10, 2019) was an Indian playwright, author, actor, and film director whose movies and plays, written largely in Kannada, explore the present by way of the past.

The Group
Kathakriti has staged 9 short plays and 19 full-length plays till date under the direction of Shri Sanjib Ray. Kathakriti has also initiated audio plays, workshops and seminars on theatre, in different schools and colleges. It has also performed during the Swachh Bharat Abhiyaan under the Central Ministry. Since its inception, Kathakriti holds a drama festival every year on the occasion of its birthday. The publication Kathakriti Natyapatra is also an asset for drama enthusiasts.

Cast & Credits
On Stage                                        Sanjib Ray, Ashok Ganguly, Nabanita Mukherjee Das, Shambhu                                                               Nath Shaw, Dipankar Haider, Bindia Ghosh, Kinjal Nanda, Parijat Das

Dance & Chorus                             Jayanta Ghosh, Shraddha Chanda, Poulami Bag,
Barnamala Chatterjee, Sayani Roy, Chowdhury Laboni Sarkar,
Mithun Gupta
Singers & Accompanists                Shubhadeep Guha, Sushruta Goswami, Pritam Ghosh, Shubhajit                                                               Dev, Susmita Sarma, Jayanta Saha

Set                                                 Chanchal Haider
Light & Accompanists                    Dipankar Dey, Ashim Das, Arup Das
Make-up                                         Biswajit Haldar
Backstage Management                Sourav Chatterjee, Bapi Sarkar, Arup Kumar Deb
Team Leader                                   Debasish Naskar

Playwright                                      Girish Karnad
Director                                          Sanjib Ray

Contacts
Director, Kathakriti
TG 2/10, Teghoria
Kolkata- 700157
Ph: (033) 24260404
M: +91 9836444886
E: tgkathakriti@gmail.com

Playwright: Manaobi MM
Director: Yumnam Rajendra
Group: Peace Maker Artistes’ Association, Manipur
Language: Manipuri
Duration: 1 hr 30 mins

The Form
Shumang Leela, literally translated as Courtyard Theatre has been the mainstay of the Meiteis, the Tibeto-Burman people who have inhabited the Imphal valley since time immemorial. Originally a form of nautanki, Shumang Leela metamorphosed into full-fledged theatre over the years. A unique feature of this art form is that the audience surrounds the stage from all sides. Male artistes not only enact the roles of female characters to perfection, but also sing just like women do. The content of the leela can be comedy, folk-lore, legends or social commentaries.

The Performance
Prince Naothingkhong was the third son of emperor Urakonthouba of Manipur (568-663 AD). A stubborn young man, he ran away to the hills where he found Petanga, a beautiful girl who was the only child of Shelloi village chief. Naothingkhong married Petanga secretly and promised her that she would be the queen of Manipur when he sat on the throne. The villagers revolted and wished to kill Naothingkhong because his father was a bitter enemy of the clan. So he escaped from the house of Petanga and sought asylum under the patronage of Khuman King. Petanga was punished by her own people and had to escape. Naothingkhong ascended the Khuman throne and married the Khuman princess. No sooner did Petanga get the news, she invoked the goddess Yumjao Lairembi and vanished with her last words of lament, “man has no power to realise true love”.

Director’s Note
The story of the play is based on legendary events of Manipur that possibly took place during 665-785 AD. The actors have worked hard to represent the age-old society and to convey the emotions of the characters during a month-long Manipuri Shumang Leela workshop. This experimental production is still in its initial stage, rather incomplete and unfinished I would say, and has a long way to go.

The Director
Yumnam Rajendra is a renowned theatre director, playwright and actor. He was trained in Manipuri theatre under the noted director Heisnam Kanhailal from 1973 to 1982. He worked as a director of Panthoibi Natya Mandir, Imphal and participated in many national and international festivals of India and abroad. He was awarded the Vayoshrestha Samman Award in 2017, Sangeet Natak Akademi Award in 2007, award for sculpture in tribal wood carving art of Manipur and Junior and Senior fellowships by the Ministry of Culture, Govt. of India. At present he is a visiting guru of the Department of Theatre, Manipur University of Culture.

The Playwright
Manaobi M.M. is a renowned writer of radio-plays, Shumang Leela, Manipuri film-screenplays and lyrics. He has written more than 50 plays and published above 20 plays. He is presently working as the President of Cine Writers and Playwrights Forum of Manipur.

The Group
Peace Maker Artistes’ Association, Manipur was established on 5th of August 2002 in Imphal. This association is an autonomous body and one of the leading Shumang Leela groups of Manipur. It has participated in various state, national and international festivals like 20th Bharat Rang Mahotsav 2019, 2nd Delhi International Art Festival 2008 at FICCI Auditorium organized by NSD, 8TH Delhi International Art Festival 2014 supported by Sangeet Natak Akademi at Meghdoot Theatre Complex etc. The group has produced more than 40 plays.

Cast and Credits
Naothingkhong                                         Yumnam Arunkumar Singh
Petanga                                                    Yumnam Milan
Keirunghangbi                                           Senjam Deepson
Leima Naman Chaobi                               Bishesh Huirem
Khuman Ningthou                                     Laishram Ibotombi Singh
Amukangoiba                                            Sorokhaibamibohanbi Singh
Luwang Ningthou, Pakchao                      Athokpam Santosh Singh
Moirang Ningthou                                     Naorem Tamphasana Meetei
Goddess                                                   Maibam Roshan
Soldier                                                       Gurumayum Rajesh Sharma
Soldier                                                       Thoudam Premjit Singh
Soldier                                                       Thoudam Premananda Singh
Deity                                                           Leiphrakpam Survchand
Deity                                                           Sougrakpam Chinglennganba

Musician / Female-Vocal                             Linkmabam Biky
Musician / Singer                                         Naorem Jeetenkumar Meetei
Musician / Actor                                           Seramromajit
Musician / Actor                                           Laimujam Binoy Singh
Music Director                                             Moirangthem Robert Meetei

Playwright                                                    Manaobi M M
Director                                                        Yumnam Rajendra

Contacts
Mr. Yumnam Rajendra
Peace Maker Artistes’ Association
Paona Bazar, Governor Road
Near G.M. Hotel
Imphal- 795001, Manipur
M: +91 9366427125, 9856108385
E: peacemakerartistes@gmail.com

Playwright: Irwin Shaw
Adapter & Director: Surya Mohan Kulshreshtha
Group: NIPA Rangmandali, Lucknow
Language: Hindi
Duration: 1 hr 30 mins

The Play
This is a story of an unknown place and time where a war is being fought for the past two years. On the aforesaid day six soldiers who were killed two days ago are being buried in the battlefield. Suddenly, these soldiers rise and refuse to be buried. These dead soldiers have their own logic i.e. that wars are fought and the common man dies to feed the ambitions, business and greed of a handful of power-hungry people. The corpses say that they wish to live… the life of a farmer, of a son, with friends, with their beloved… enjoying nature, relationships and beauty that this life is endowed with. The women from their homes are called to convince them but that too doesn’t work. In the end the general tries to blow them with a machine gun but the corpses come out of their graves and stand amidst the people, thus underlining the importance of life, and drawing the attention towards the horrors of war generated by sheer greed.

Director’s Note
Written in 1936 after the First World War, Irwin Shaw’s play Bury the Dead is an anti-war story. The play boldly opposes the use of the common man as fodder for war and violence, to fulfil the personal gains of a few people. The play also conveys the unlived dreams of dead soldiers, and those whom they leave behind to pay the price of war. The near and dears of the soldiers go through extreme trauma emotionally, socially and financially. Today violence, terror and war are being justified in the name of religion and nationalism. In these times, I feel, this play of Irwin Shaw is as contemporary as it was when he wrote it. This play was a challenge for the creative vision since sometimes it is expressionist and at places idealistic. We have tried to convey these factors with the help of scenography, lights, movements, make-up, costumes and acting. I felt that instead of translating, an adaptation would convey the feeling to the Indian audience more effectively. The presentation is for the audience to enjoy, introspect and analyse.

Director and Adapter
Recipient of the Sangeet Natak Akademi award, and former director of Bharatendu Natya Academy, Lucknow, Surya Mohan Kulshreshtha took his training in theatre from BNA, Lucknow, in 1976-77. He has organized many theatre workshops and his directorial ventures have been staged nationally and internationally. His original plays include Tukde, Veer Lorik, and Natak Ganesh Markaaur Char Shikhaayen. He has translated The Caucasian Chalk Circle and Three Penny Opera by Bertolt Brecht, Sanskrit plays Bhagvadajjukeeyam and Mrichchhakatikam and many other western and Indian plays to Hindi. He has directed, co-directed, acted and scripted many films, TV serials and tele-films. He is known for his performance as Socrates in the play Bare Foot in Athens directed by Raj Bisaria. Surya Mohan Kulshreshtha has been awarded an honorary diploma in Norway; the best costume designer in America; Senior Fellowship by the Govt. of India; and Kala Bhushan by Uttar Pradesh Hindi Sansthan. He is the president and artistic director of NIPA, and has earlier been associated with IPTA and Meghdoot.

The Playwright
Irwin Shaw was an American playwright, cine writer, story writer and novelist who began writing at the age of 21. In 1935, he wrote an anti-war play Bury the Dead and his first screen play The Big Game. In the latter half of that decade his stories were published in many popular magazines. In 1948, inspired by his experiences in the American army, he wrote The Young Lions which was later made it into a film in 1958. He dedicated the rest of his life to writing novels.

The Group
NIPA Rangamandali was established in 1991 by a group of talented and popular artists of Lucknow. It has given highly acclaimed performances in India as well as in Norway, Finland, Germany, Sweden, Denmark, America, Canada and Pakistan. Bhagvadajjukeeyam has done more than 100 shows. Experimenting with different forms, the group has presented Mitti ki Gaadi, Kundmala, Pret, Lohar, Ashadh ka Ek Din, The Lesson, Exit the King, Jai Sidhnayak, Sambashiva, Vasamsi Jeernani, Balkan Women, Crusades and many more plays.

Cast & Credits
Soldier 1                                                Shubam Singh Chauhan
Soldier 2                                                Akshat
Soldier 3                                                Sandeep Kumar
Soldier 4                                                Avinash
Sargent                                                 Sujeet Singh Yadav ‘Bunty’
Priest 1                                                 Ramesh Saini
Priest 2                                                 Abhishek
Captain                                                 Nitish Bhardwaj
High Command 1                                 Vinay Kumar Mishra
High Command 2                                 Anuj Nigam
High Command 3                                 Gaurav Dinghra
Doctor                                                  Akansha Aggarwal
Typist                                                   Bajyanti Nath, Pallavi Singh
Corpse 1                                              Shubam Tiwari
Corpse 2                                              Vikesh Bajpayee
Corpse 3                                              Suraj Pratap Singh
Corpse 4                                              Shivam Singh
Corpse 5                                              Sachin Jaiswal
Corpse 6                                              Saurabh Kumar Mishra
Sister of Corpse1                                 Baijanti Nath
Wife of Corpse 2                                  Shivangi Nigam
Wife of Corpse 3                                  Puja Singh
Wife of Corpse 4                                  Pallavi
Beloved of Corpse 5                            Komal Singh
Mother of Corpse 6                              Mridula Bhardwaj

Scenography Assistants                      Vinay, Shubam, Sachin
Stage Property                                     Ritesh, Sherya, Adarsh, Shivam, Sandeep, Gunjan Jain
Costume Assistants                             Akanksha Aggarwal, Amrita Paul, Komal Singh, Gaurav,
Shivangi Nigam
Live Music                                            Mahinder Pal
Sound & Vocal Music                           Bharatendu Kashyap
Sound & Music Assistants                   Anuj Nigam, Akshat
Vocal Music Operator                          Anant Sharma
Light Assistant                                     Sujeet Singh Yadav
Poster                                                  Shreya Ranjan, Gunjan Jain
Stage Management                             Aarav
Light Design & Operation                    Anoop Joshi ‘Bunty’
Make-up                                              Praveen Namdeo, Shaahir Ahmad
Costume Designer,
Assistant Director
& Presentation Controller                    Mridula Bhardwaj
Art Director                                          Bharatendu Kashyap

Playwright                                            Irwin Shaw
Adaptation & Direction                         Surya Mohan Kulshreshtha

Contacts
Neepa Rangamandali
C-11 Sector-1, Aliganj
Lucknow-226024
M: +91 9335905547
E: nipasurya@gmail.com

Playwright & Director: Kavita Srinivasan
Group: Sushila Arts Academy, Nepal
Language: English
Duration: 1hr 10mins

The Play
Satya Yuga (era of truth) was an era when gods, demons and humans cohabited the earth. Set in this time is the story of goddess Kumari who came to rule the kingdom of Kathmandu. The legend describes a young goddess Kumari, born to the gods Svet-Kali and Svet-Bhairav in the neighbourhood of Nardevi in ancient Kathmandu. To their alarm, she falls in love with an asura (demon), Chanda. Their tumultuous love story ends tragically, as Kumari ultimately sacrifices her love to in order to fulfil her duty. Her parents in return, make her the ruler of Kathmandu.
Kumari and the Beast is an interpretation of the story told by Maheswor Juju Rajopadhyay in his book of short stories Nepali Adhyaatma Jagat ko Itihas (History of Nepal’s Spiritual World). The story is presented through a fusion of Nepal’s classical Charya dance and contemporary dance-movement, with live music and vintage photography.

Director’s Note
Three things attracted me to this story: First, the story provides a fascinating role model of how a female child can hold one of the highest positions of social and political power, and can remain unmarried of her own will. In a world where power has been known for eons to be held by the senior-most male, the relevance of such a figure is immense.
Second, the story’s central theme of ‘forbidden love’ remains as relevant today as it was ages ago. Society’s condemnation of certain kinds of love based on caste, creed, gender, race etc. continues to trample on the fundamental right to choose.
Last, the sacrifice of the beast is symbolic of the price that society extracts from each of us.

The Director & Playwright
Kavita Srinivasan has focused on stories of culturally iconic figures like Gautama Buddha and Goddess Kumari, reinterpreting and telling their stories in a way that fuses the classic and the contemporary, focusing on the human element, through movement, dance, music, theatre and visual art. She also created Nepal’s first online sitcom P.S. Zindagi (Post Seismic Zindagi) which won local and international recognition. Kavita has done two Masters – in Architecture, and in City Planning – from the Massachusetts Institute of Technology (MIT, USA).

The Group
Sushila Arts Academy (SAA) is a theatre dance music and arts institution in Kathmandu, Nepal founded in 2012 with the aim to promote the Arts in Nepal. Since its establishment, it has been providing hundreds of scholarship seats to talented but financially limited or underprivileged Nepali students. The Academy has delivered numerous musical and theatre-dance productions, art exhibitions, shows and various art programs, all aimed at promotion of the arts in Nepal, as well as giving a platform to young, talented Nepali artists to flourish further.

Cast & Credits
Kumari                                                   Kripa Bajracharya
Chanda                                                  Kiran Shrestha
Svet-Bhairav                                          Sudan Munikar
Svet-Kali                                                Vijaya Karki
Representation of Kumari’s feelings      Arpana Lama, Glory Thapa, Sunita Darnal
Representation of Chanda’s feelings     Srijan Bhattarai, Jerox Chaudhari, Nikesh Raj Chaudhary

Charya Dance Choreographer               Sudan Munikar, Kripa Bajracharya
Musicians                                               Chandra Man Shrestha (Drums, Percussion and effects),
Prabesh Maharjan (Percussion and effects),
Saroj Shahi (Guitar and effects),
Rupesh Shakya (Flute, horn and effects)
Original Music and Sound Effects          Dimitris Giannopoulos
Recorded Music                                     Various Sources
Narration                                                 Kavita Srinivasan
Costume Designer                                  Sammriddhi Mittal, Samita Kapali
Beast Make-up                                        Sunita Darnal, materials from Aesthete Studio
Lights                                                      Dinesh Tuladhar
Sound                                                     Tuphan Thapa
Smoke/Projection                                    Kanchan Pandey
Black and White Photographs                 Kiran Chitrakar (Poster), Dominic Sansoni, GTZ,
A. Proksh, AFP, Ian Trower and others
Publicity Stills                                          Avishesh Raj Maskey, Shilu Jain
Behind the Scenes Photographs             Suman Nagarkoti
Production Stills                                       Bijay Tamrakar
Truss / Thermacol / Set                           Binod Pokharel (Stage Mind)
Producer                                                  Sushila Arts Academy
Assistant Director/ Stage Manager          Vijaya Karki

Special Thanks – Jagannath Dhaugoda (Djimbe), Brikchya Band (Khen, Dhimey, Taa, Ghungro), Shree Guru Nitya Baja Khala (Dhime, Taa, Bapucha, Bhusya), Vajra Kala Kunja (Charya music and costume support), Swarnim Maharjan (Flute Melody concept tips), Pawan R. Joshi (Projections)

Story                                                       Maheshwor Juju Rajopadhyay
Playwright & Director                              Kavita Srinivasan

Contacts
Director, Sushila Arts Academy
KMC-Ward No. 3 Lohasal,
Maharajgunj, Kathmandu- 044600
M: +977 9803791540
E: kavita.srinivasan@gmail.com

Playwright: Ajay Shukla
Direction: Chittaranjan Tripathy
Group: NSD Repertory Company, Delhi
Language: Hindi
Duration: 2 hrs 20 mins

The Play
Emperor Shah Jahan invites the chief engineer of CPWD, Guptaji and shares his dream of building a monument in the memory of his late, wife, Mumtaz. After much deliberation he comes to the conclusion that a mausoleum be built in her memory and he wants it to be named Taj Mahal.
Guptaji, a shrewd, corrupt, official, entraps the Emperor in the snares of bureaucracy and red- tapism leading to many hilarious situations. The ridiculous bureaucratic procedure takes 25 years only to float the tender notice of Taj Mahal.
TajMahal Ka Tender is one of the successful satires of contemporary times.

Director’s note
The state is the best creation of man as it is not an imitation of anything that existed before. With the emergence of the State, a primitive society is transformed into a civil society, leading to the germination of division of labour, division of time, rank, file, red-tape etc., thereby giving birth to official dom. TajMahal ka Tender is a satire on rank –file, red tapism and the sad state of officialdom. It focuses on the organizational diseases that India is suffering due to – corruption, idleness, favoritism, arrogance and insensitivity to public needs.

The Director
Chittaranjan Tripathy graduated from National School of Drama in 1996 with specialization in acting. He was also enrolled in the musical theatre department in the Guildford School of Acting (GSA), Guilkdford, UK, under the Charles Wallace fellowship.
Shri Tripathy has directed plays for many leading theatre groups and repertory companies including the National School of Drama Repertory Company, the Shri Ram Centre Repertory and the Sahitya Kala Parishad Rang Mandal. Some of his most popular plays include TajMahal Ka Tender with NSD Repertory Company, Capitol Express, Arre Mayavi Sarovar with SRC Repertory; Ladi Nazaria and Humare Sheher Ke Romeo Juliet with Sahitya Kala Parishad Rang Mandal.

The Playwright
Born in 1955, at Agra Ajay Shukla is a post–graduate in history from Lucknow University and then joined Indian Railway Traffic Service. His play, Doosra Adhyaay was directed by Ram Gopal Bajaj in 1998, and was broadcast from All India Radio later the same year. In 1993 he received the Delhi Sahitya Kala Parishad’s Playwright – Award for Doosra Adhyaya and Mohan Rakesh Samman for his play Tajmahal Ka Tender. In 2000 he received the National Award by All India Radio (Akashvani) for his play Hum Honge Kaamyab.

The Group
Established in 1964 with a membership of only four persons, the Repertory Company is the regular performing wing of the School. It was set up with the dual purposes of establishing professional theatre on one hand and continuing with regular experimental work on the other. Over the years it has produced a variety of plays ranging from stylized musicals to realistic contemporary Indian drama to translations and adaptations of foreign plays. In addition, several eminent persons of national and international repute have worked with the Company, and it has performed over one hundred and eighty one plays by ninety-eight playwrights and has worked with ninety directors. Quite a few of its actors have emerged as celebrities in theatre, cinema and television. The Company has toured extensively in India and abroad. It is celebrating fifty years of its existence this year.

Cast & Credit
Shahajahan                                            Shahnawaz Khan
Gupta                                                     Suresh Sharma
Sudhir                                                     Ashutosh Banerjee/ Virendra Singh
Bhaiyaji                                                   Deep Kumar
Mahila Neta                                            Sampa Mandal/ Shruti Mishra
Kanhaiyalal                                             Sikandra Kumar
Murarilal Sharma                                    Naveen Singh Thakur
Shethi                                                     Shubham Pareek
Ladka                                                     Rahul kumar
Ladki                                                      Sakshi Sharma
Aurangzeb                                             Parag Baruah
Mummo/ Mumtaz                                   Snehalata S. Tagde
Darbari                                                   Shubham Pareek, Vishveshvar M. Gondhali, Manish Dubey,                                                                       Virendra Singh, Naresh Kumar
Jahanara                                                Anamika Sagar
Shaktiman                                              Jitu Rabha
Four Friends                                           Virendra Singh , Manish Dubey, Vishveshvar M. Gondhali,
Naresh Kumar
Dancer                                                    Aparna Menon
News Paper Hawker                               Shruti, Sampa, Aparna Menon, Snehalata S. Tagde
Other                                                      Palak Jasrotia

Production Co-ordinator                         Sukumar Tudu
Set Designer                                          Pankaj Jha
Set Execution                                         Ram Pratap, Manoj Kumar, Brijesh Sharma
Light Design                                           Govind Singh Yadav
Light Execution                                      Md. Suleman, Pradeep Aggarwal
Costume Design                                    Sunita
Costume Helping                                   Shruti Mishra
Chief Costume Co-ordinator                  C.S. Bhatia
Dance Choreography                             Meghana Malik
Singers                                                   All Repertory Artistes
Music Rearrangement                           Santosh Kumar (Sandy)
Property In-charge                                 Moti Lal Khare
Sound Operation                                   Mukesh Kumar
Make Up In-charge                                Sikandra Kumar, Shruti Mishra
Stage Manager                                      Govind Singh Yadav
Assistant Director                                  Md. Abdul Kadir Shah

Playwright                                              Ajay Shukla
Lyrics, Music, Design & Direction          Chittaranjan Tripathy

Contacts
NSD Repertory Company
Bahawalpur House
Bhagwandas Road
New Delhi – 110 001
Ph: 011 23383420
W: www.nsd.gov.in

Playwright: Arijit Biswas & Prithunandan Ghose
Director: Prithunandan Ghose
Group: Bachhor Koori Porey, Kolkata
Language: Bengali
Duration: 2 hrs 15 mins

The Play
Priyotamasu is a chronicle of ten turbulent months in 1942. Set in a small mofussil town of Central India, the story is woven around a family of affluent Bengali settlers and a group of old or invalidated British officers, who are posted in that town. Away from the swirling passions of time, the two groups closely interact with each other till time overtakes them and the symbiosis is broken.

Director’s Note
Inspired from a short story by Somerset Maugham, which I read in late eighties, I couldn’t stop myself exploring how the drama in it could be brought on stage? I shared it with my childhood friend Arijit Biswas, co-playwright in this case, and asked him to read it as well. We had a series of debates on the context, the perspective and its acceptability by our viewers etc., which used to end up in tussles.

Finally, we had to change the whole of it completely, keeping only the essence of the outcome intact, and as such it took the shape of an original creation. We named it, Priyotamasu, the beloved.

A reading session was arranged for our acting and technical team who were awestruck listening to it and enjoyed all the rehearsals till it was launched on the evening of 1st June, 2019 at Gyan Manch, Kolkata.

As a Director of the play, I would not like to add any attribute, whatsoever, in favour of the play. Let the play be staged, it would be capable enough to substantiate its merit through its presentation.

The Director & Co-Playwright
Prithunandan Ghose’s approach to theatre is an amalgam of science and art. His presentations are uncanny and aesthetic owing to a background of engineering and the passion for theatre. His first group, Kathik, performed till 1977. When the group dissolved due to other professional callings for a living, he could not reconcile with his staying away from theatre. He formed Bachhor Koori Porey, which means ‘after 20 years.’ In 2015 the same compatriots, re-grouped for a sensational production, Ebong Andhokar, and in the following year for Adhora, a play scripted from a novel of Neelohit. In 2019 the group produced Priyotamasu that has been highly acclaimed. In all these plays Prithunandan has proven himself as a script-writer, lyricist, director and designer.

The Co-Playwright
Arijit Biswas, a writer of repute, is a graduate in engineering from Jadhavpur, and a post graduate in management from XLRI, Jamshedpur. Despite his professional demands he found time to write plays. He has co-written two Bengali plays viz. Priyotamasu and Ebong Andhokar that have been appreciated in and around Kolkata. Another play, Uttordroho, written by him was published in 1996 issue of theatre journal, Gandharba. He has written scripts and serials in Hindi for Zee TV, and for telefilms in Bengali. He is also the script-writer for Bollywood films Agent Vinod, Badlapur and Andhadhun. Under the section of Indian Feature Films category at KIFF, 2018, he won the best director award for the Bengali film Surjo Prithibir Chardike Ghore.

The Group
After a long break the group Kathik reassembled as Bachhor Koori Porey to perform Ebong Andhokar in 2015. The play was presented at important theatre congregations, mesmerizing the audiences and critics alike. Then followed Adhora, in 2016, and after three years, in June 2019, Priyotamasu. The latter has been a much awaited and promising piece that instantly caught the discerning attention of viewers and has now been invited to perform at NSD.

Cast & Credits
Sumi                                                       Aishani De
Aloka                                                      Amrita Mukhopadhyay
Surya                                                      Dipyaman Chatterjee
Doglus                                                    Sudip Mukherjee
Parsu                                                      Kunal Sen
Mr. Mahendra Banerjee                          Biswarup Das Purakayastha
Mrs. Sarbani Banerjee                            Enakshi Sen
Nikhil                                                       Arghya Basu Roy
Bannu                                                     Navoneel Sarkar
Jayaram                                                  Rittwik Roy
Alexis                                                      Avik Das
Monroe                                                   Arijit Chakraborty
Bharat                                                     Prabir Dutta
Bearer                                                     Abhishek Ghosh Roy

Light Design                                           Badal Das
Technical Assistants                               Ranjit Das & Surajit Mandal
Keyboard                                                Krishnendu Chatterjee
Sound Projection                                    Kaushik Sajjan
Make-up Artist                                        M. M. Rahman (Md. Babu)
Costume in-charge                                 Rupa Ghose
Property in-charge                                  Sima Ghose
Accessories in-charge                            Maloy Kanti Ghose
Set in-charge                                          Avirup Maity
Shifting in-charge                                   Sthitadhi Roy
Shifter                                                     Kakoli Chakraborty
Costume Design &Stagecraft Design     Prithunandan Ghose

Playwright Arijit Biswas & Prithunandan Ghose
Co-Playwright & Director Prithunandan Ghose

Contacts
Director
Bachhor Koori Porey,
W2A(R) 12/5, Phase IV B, Golf Green,
Kolkata-700095, West Bengal
M: +91 9830390690, 9830278466
E: bkporey@gmail.com

Playwright: Daniil Kharms
Director: Rajiv Krishnan
Group: Perch, Chennai
Language: English
Duration: 1 hr 30 mins

The Play
A girl finds a job as a cashier in your store, turns the handle on the cash-till and dies. What do you do? Stick a mushroom in her hand and pretend she’s alive. People throw themselves off windows, they leap out of cupboards, they spend maddeningly long hours in queues, they attack each other with snot and cucumbers, they fall, they sleep, they fight, they die. This is the world of Daniil Kharms. Chaotic, absurd, sometimes frightening, often incomplete. And you find that the only rational response is to laugh. The worse it gets, the more you laugh. Kharms is the master of dark laughter. It’s so ridiculous, so absurd, it can’t be true, right? Right?

Director’s Note
Our approach to Kharms was from a state of complete unknowing. A piece of text, a thought, an idea or an image triggered off our explorations. The entire process was a challenging one to say the least. This play represents our individual and collective response to Kharms, conceived in a true spirit of collaboration.
Puppets play an important role in this piece. The choice of working with puppets was a chance occurrence. Not being trained puppeteers we started from scratch, using storytelling as a guide. Like every piece of ours, we see this work too as a work in progress, evolving as we present it to audiences. And as much as we want to engage and provoke you, the audience, we hope that you will engage with the piece and provoke us in turn. In true Kharmsian spirit, we invert the typical theatre greeting and direct it to the audience – Break a leg!

The Director
Rajiv Krishnan is a theatre director and actor based in Chennai. His first play as a director was an adaptation of the comic satire Accidental Death of an Anarchist (Dario Fo) in 2000. In 2004, he organized a fortnight long festival called ‘Angloscapes’ focused on the Anglo-Indian community for which he co-adapted and directed a play inspired by Tennessee Williams Glass Menagerie in English. It was with this festival that the theatre collective Perch informally came into being.

The Playwright
Daniil Kharms (1905-1942), was an early Soviet era absurdist poet, writer and dramatist. He was often incarcerated by the Stalinist regime of his time for his unconventional and rebellious ways. His adult literature was not published during his lifetime and he was confined to writing for children. He is said to have starved to an anonymous death in the psychiatric ward of a Soviet hospital after being arrested during the siege of Leningrad in 1942. His stories defy easy characterization – they may start humorously but quickly turn dark, many featuring random acts of violence.

The Group
Perch is a theatre collective based in Chennai. It was formed by a motley bunch of actors, designers, filmmakers, journalists and others in 2008. Perch has been constantly exploring new ways of storytelling on a variety of themes from pure fantasy to contemporary Indian reality, from humour to political satire. Starting with adaptations of well- known plays and short stories, they have also explored devised work which is multilingual, collaborative and ensemble driven with a strong focus on visual design and music.

Cast & Credits
Created & Performed  by Iswar Lalitha, Rency Philip, Sachin Gurjale, Vijay Ravikumar, Vinod Ravindran

Music                                                   Abhaydev Praful
Photography                                        Richa Bhavanam
Costumes                                            Kaveri Lalchand
Puppets and Prop making                   Iswar Lalitha, Rency Philip, Sachin Gurjale, Vijay Ravikumar, Vinod Ravindran
Set and Light Design                            Kalpana Balaji, John V. Mathew
Production Management                      Anushka Meenakshi, Bharavi

Commissioned by The Serendipity Arts Festival

Playwright                                          Daniil Kharms
Director                                              Rajiv Krishnan

Contacts
Director, Perch
7, Bazullah Road, T Nagar
Chennai, Tamil Nadu- 600017
M: +91 9840700567
E: anushka.meenakshi@gmail.com

Playwright: Sattar Baig & Lakshman Deshmukh
Director: Poonam Tiwari
Group: Rang Chhattisa, Chhattisgarh
Language: Chhattisgarhi
Duration: 1 hr 30 mins

The Form
Nacha is a traditional folk-theatre and a legacy of Chhattisgarh. According to some scholars the basis of this theatrical form is Gammat Nacha, which is mainly a singing form. Gammat Bhajans include expressions of emotions, humour, longing etc. The performance is conducted throughout the night and the audience enjoys it wholeheartedly. It includes singing of bhajans of Tulidas, Surdas, Kabirdas, Meera, followed by filmy Ghazals, Qawwalis and folk songs like Karma, Dadriya, Yuvapanthi, Holi etc. The performance includes all colours ranging from humour, compassion, love, anger etc.

The Play & Director’s Note
This play is to encourage the audience to help in getting rid of the increasing dilemmas in the society, and build a clean and beautiful nation. It also urges those who are in the grip of an addiction, to give up the bad habit/s so that one’s health, family future generation, and the society does not have to pay for one’s folly. The addiction to liquor is driving the society astray. Through this play we wish to convey that alcohol, known as ‘Mahua ke Pani’ (Water of Mahua) in our region, is destroying our world. Families are suffering due to this evil habit. I, Poonam Tiwari, and my team are honoured to present this play at NSD, Delhi.

The Director
Born on 13th November 1963 in Chhattisgarh, Poonam Tiwari attended school till class four. At the age of nine she started participating in the productions of Nacha parties like Dau Mandaraji Nacha Party, Jaalbandha Nacha party, Pateva Nacha party and Nishad Nacha party. While working for Champa Barsan Nacha party of Durg, she came in contact with the great thespian Habib Tanvir and from 1984 to 2005 worked under him as an actor in Charandas Chor, Mitti Ki Gadi, Mor Nau Damad Gaon Ke Nau Sasural and many other productions. She has been awarded with Dauji Mandara Samman 2005, Sharad Vairahagkar Samman 2015 by IPTA, and Dau Ramchandra Deshmukh Bahuman Samman 2020.

The Playwrights
Lakshman Deshmukh was born in a farmer’s family in Village Dugatola, 10 kms from the forest of Ambagarh. He has written many songs and plays on social issues like de-addiction, dowry system, oppression of women etc. He along with Sattar Baig has adapted this play to bring awareness about the evil and ill effects of alcohol that are spreading in the society. The play focuses on the addiction of liquor, made from the fruits of Mahua tree, in tribal villages. The play has been written in Chhattisgarhi Nacha style.

The Group
Rang Chhattisa based in district Rajnandgaon (Chhattisgarh), is a folk and cultural theatre group which has been presenting plays mainly based on the folk-art form Nacha. The group prioritises social issues over commercial ventures. It has performed numerous plays including Lottery, Rajim Bhaktin, Pathshala, Mahua Ke Pani and many more, in cities like Jaipur, Wardha, Bilaspur, Raigarh, Ajmer, Delhi, Indore, Patna, Ranchi, Guwahati etc.

Cast & Credits
Guru’s Wife                                  Poonam Tiwari
Guruji                                           Sattar Baig
Sahinav                                        Mitr Shailender Rajak
Sahinav’s Wife                             Kumari Kaushik
Baba/Dada                                   Chhannu Sahu
Guruji’s Daughter                         Lakshmi Yadav
Friends                                         Divya Tiwari, Annu
Liquor Seller                                 Tejram Devangan
Bania                                            Rajkumar Chauhan
Bania’s Assistant                          Murad Khan
Policeman                                     Deva
Pallbearer (Arthi Uthane Wala)     Mahesh Sahu
Saheli                                            Pramila Yadav
Student                                         Chhotu Meshram, Mahesh Sahu

Harmonium                                   Limesh Shukla
Bansuri                                         Hemraj Sinha
Tabla                                             Monu Pandiya
Banjo                                            Chetan
Dance Director                              Varsha
Dance                                           Jeetu Yadav
Singer (female)                             Anita Jhanghel
Singer (male)                                Narottam Das
Guidance                                      Deepak Virat

Playwright                                    Sattar Baig & Lakshman Deshmukh
Director                                        Poonam Tiwari

Contacts
Rangchhatisa
Mamta Nagar, Ward No.-19
Rajnandgaon, Chhatisgarh
M: +91 9009008070
E: limesh1988@gmail.com

Director: Tushar Sonu Naik
Group: Naik Mochemadkar Paramparik Dashavtari Loknatya Mandal, Maharashtra
Language: Marathi
Duration: 1 hr 40 mins

The Form
Dashavtar is a popular form of folk-art characterizing rural theatre of South Konkan region, the coastal Sindhudurg district of Maharashtra. Dashavtar is generally the presentation of different incarnations of Lord Vishnu, with ‘akhyanas’ (stories) from great epics Mahabharata and Ramayana, though these days more secular themes are also presented.
Dashavtar is an all-male performance. It has music, mime, colourful costumes, extempore dialogues, dance steps, and battle scenes. Dashavtar regales, instructs, and edifies the rural masses through the themes it presents. The music has harmonium, tabla or pakhawaj, and cymbals as accompanying musical instruments, and is based on the Hindustani style.

The Performance
Babruvahana, the king of Manipur, takes in his custody the horse of the Pandavas which they had sent as symbol of their supremacy over all the kings. Meghavarna, son of Ghatotkacha, and Rushiketa, son of Karna go in search of the horse but fail to find it and return. Chitrangi, mother of Babruvahana, reveals to him that he is the son of the great warrior Arjuna. Babruvahana goes to meet Arjuna, but Arjuna gets angry and insults him. This makes Babruvahana furious. He challenges Arjuna for a fight. In the battlefield Arjuna gets defeated and Babruvahana decides to behead him. Chitrangi and Ulupi, Babruvahana’s stepmother order him get the divyamani, a precious stone, from the head of Shesh Nagraj, to save Arjuna and other martyrs in the battlefield.
Babruvahana goes to Shesh Nagraj, who is also his grandfather, and succeeds in getting the divya Nagamani. Meanwhile Bheema, the elder brother of Arjuna, arrives on the scene and on seeing Arjuna beheaded, fights with Babruvahana. Chitrangi and Ulupi stop them and tell him what actually happened.
All of them pray to Shree Krishna who appears and brings life to Arjuna and the others by touching the Nagamani on their heads. Babruvahana and his father Arjuna embrace each other.

Director’s Note
While directing this play, I have selected the artists who are able to portray the character assigned to them. I have worked on the dialogues, costumes, make-up, and hairstyles, especially of males who perform the role of females. I thank the music director of this play for his single-handed contribution in this production.

The Director
Tushar Sonu Naik is a Matriculate. Though he is young, he has directed many plays, such as Veer Babruvahana, which is most popular among all. Most of the plays directed by him are in the traditional folk form of Maharshtra – Dashavtar.

The Group
The troupe known as Naik Mochemadkar Parmparik Dashavtari Loknatya Mandal is headed by Sonu alias Babal Shripad Naik, and managed by his son Tushar Sonu Naik, who is also a musician.
The family resides on the picturesque sea-shore in a small village called Mochemad, in Maharashtra. Dashavtar, a traditional folk art of this area, has been practiced by the family for more than six generations. The performers and musicians of the troupe come from different villages of Sindhudurg district and a few also from the nearby state of Goa. They all are from poor, rustic, rural areas, mainly farmers, agriculturists or artists dedicated to this folk art with devotion and love. Naik Mochemadkars are frequently invited to perform their plays in annual festivals, rural fairs in the courtyards of temples, and these days even in urban areas. More than 240 performances are staged by this group every year.

Cast & credit

Ganesh                        Gajanan Vengurlekar
Riddhi                           Akshay Naik
Siddhi                           Dipak Mayekar
Babruvahana                Nitin Asayekar
Hansadhvaja                Sudhakar Parab
Arjuna                           Narayan Asayekar
Meghvarna                   Nilesh Naik
Rushiket                       Sagar Gaonkar
Ulupi                             Ratnakar Manjarekar
Chitrangi                       Mahesh Dhuri
Bheema                        Krishana Naik
Shesh Nagraj                Guru Varadkar
Shrikrishana                  Aatmaram Sawant

Harmonium                    Rajan Gawade
Mrudang or Pakhvaj       Piyush Khandare
Cymbals                         Snatosh Gudulekar
Singer                             Mahadev Dalvi
Backstage Artists            Sitaram Gawade, Pravin Tandel,
Raman Parab, Harishchandra Manjarekar
Music Director                Jayram Shripad Naik
Head of the Troupe         Sonu Shripad Naik

Research                         Vijaykumar Phatarpekar
Director & Manager          Tushar Sonu Naik

Contacts
Naik Mochemadkar Paramprik Dashavtari Loknatya Mandal
Mochemad – Vengurla
H.No 134, Bhandarwadi-Mochemad
P.O. – Tank, Taluka – Vengurla
Distt. – Sindhudurga State – Maharashtra
Pin 416518
Ph. +919405070799, 9764504137
E: tnaik82@gmail.com