A review by Sanjiva Sahai

If you’re into drowning in grandeur and have a lifetime to spare, indulge in this 8-hour-and-a-half spectacle called हीरामण्डी where the set design gets more screen time than the plot itself.

    Who needs historical accuracy when we can have a jolly good मुंबइया spin in all the recently released movies? Who cares about facts anyway when we’ve got the glitz and glamour of a Bhansali extravaganza to distract us?

    Indeed, amidst the narrative, several performances shine with profound depth. Manisha Koirala, Sonakshi Sinha,  Aditi Rao Hydari, Richa Chadha and the entire female ensemble deliver commendable portrayals, leaving a lasting impression. Additionally, the music, both vocal and instrumental, stands as a formidable asset.

    Ah, if only Bhansali had a knack for precision! A concise 2-hour 15-minute film instead of this drawn-out series would have spared us all a lot of eye-rolling and tea breaks.
          __ Sanjiva Sahai

By Sunil Sarpal

Sunil Grover is the most versatile comedian to have graced The Kapil Sharma Show.  There is a Hindi song which depicts his aura:

 “TERE CHAHRE SE NAZAR NAHIN HAT TI,  NAZARE HUM KYA DEKHEN…”

When he is on view, all other actors hide behind him.  The eyes are glued to him till the time he departs. 

He brings about such a charismatic approach that his aura becomes larger than life.  On the Kapil Sharma Show, the most revered actor was Sunil Grover.  In his presence, sometimes, even Kapil Sharma took a back seat. 

How a meaningless spat between Kapil Sharma and Sunil Grover, on a flight back from Australia resulted in Sunil withdrawing from the show.  His absence from the show was then felt by the audience.  His replacement, Krushna, was nowhere near a match to his talent. 

On the Kapil Sharma show, Sunil first played the character of Guthi and then Dr Mashoor Gulati.  His portrayal of both the characters was unique and audience realised his comic potential.  His acting brings in new flavour to the audience.  His sense of comic timing, dialogue delivery, attire and the pregnant pauses that he takes, before delivering the punch line, makes him a very special comedian.  He simply tickles the funny bone of the audience.  Sunil has portrayed the characters of Amitabh Bachchan,  Kapil Dev, and Sidhu with distinction.  He also played many a characters with a style of his own and left the audience in splits.  Sunil is also capable of copying the voice patterns of a number of actors.  He is simply a gifted pro. 

When Amitabh Bachchan was first launched as an actor, he was tagged as an Angry Young Man.  The writers then used to write scripts to suit his image and movies were made where Amitabh invariably played the character of the Angry Man.  Amitabh’s success story on big screen was possible with his  image.   Similarly, now scripts have to be written keeping in mind Sunil Grover as a comedy actor.  His extra ordinary comedy skills could be given further boost so that Sunil’s potential is harnessed fully. Watch one more of his charades below:

A Review by Sanjiva Sahai

Charlie Chopra
& The Mystery Of Solang Valley
(The latest Hindi web series in 6 episodes on Sony Liv)

▫️Directed by Vishal Bharadwaj the show opens with an innovative musical score and hilariously clever lyrics that reveal the protagonist’s (Wamiqa) home address. These elements stand out as commendable highlights in the series. However, while the music and the stunning snow-capped setting deserve praise, the adaptation of Agatha Christie’s classic Sittaford Mystery falls short of delivering a believable, relatable, and engaging narrative.

▫️Charlie’s sporadic fourth-wall-breaking moments, where she addresses the camera and talks to the viewers, leave much to be desired. This is a well-known technique in theatre, film, TV, and literature but here it’s executed with a lack of finesse, often descending into gimmickry and absurdity. Wamiqa Gabbi’s reactions serve as mere punctuation to these instances, highlighting their shallowness. It raises the question of whether delving into a detective’s psyche is justified when the true pleasure lies in external observation and deciphering their actions.

▫️While Agatha’s novel sparkled like a well-polished diamond, the adaptation and cast’s performances were more like deflated party balloons. It’s as if they were handed a Rogan Josh recipe but decided to cook instant noodles instead. The characters needed emotional depth, but the actors served up emotional flatlines. Wamiqa Gabbi, a radiant presence, struggles to carry the show solo, hampered by a lack of versatility, rendering her lengthy role predictably dull. Naseeruddin Shah, oddly out of place, delivers a superficial performance. Neena Gupta, however, shines as the sole beacon of spontaneity and precision. Gulshan Grover repeats himself. The ensemble cast- including the entire Shah family (Ratna Pathak – Heeba – Vivaan – Imaad), Lara Dutta, Chandan Roy Sanyal, Paoli Dam, and Ashique Hussain, adds their bit to the mix.

▫️It leaves viewers hoping that future adaptations by Vishal will capture the essence of Christie’s work more effectively.

**
2/5

_ Sanjiva Sahai

Aranyak
The brand new Hindi webseries on Netflix

▫️ Welcome to the world of murder mystery that has the deceptive appearance of a folklore. This character- नर तेंदुआ- imaginary or real, would hammer your brain across 8 episodes. Since a fresh killing and rape of a girl , the sleepy town of Himachal Pradesh is jolted again. The police station, uncountable natives …complete with an influential politician and a high status business family. The probe begins, so does your journey into a narrative which is thrilling in the beginning and a big disappointment after 3 episodes. Lengthy, tedious and long drawn.

▫️ Casting is almost perfect. Parambrata excels as Angad Mallik, the investigating police officer. Surprisingly, Raveena as the SHO on leave, Kasturi Dogra, manages to get into the character effortlessly. Then we have actors like Ashutosh Rana, Zakir Husain, Meghna Malik among others who try earnestly to lift a dull screenplay. All remain stereotypes with some clichéd, overdramatic dialogues. The hangover of the forgotton era of the ’80s.

▫️ A mixed bag indeed. Average direction and writing, above average performances (better than Candy at least), effective background score. O yes, watch the series on faster speed for the breathtaking and picturesque locations. The climax has been shot in thick snowfall all over and looks phenomenal.

▫️ Nothing less, nothing more.

Veteran actor Surekha Sikri passed away this morning, Friday the 16th July 2021, following a cardiac arrest, her agent, Vivek Sidhwani informed. In a statement shared with the media, the agent said the actor had been suffering from complications arising from a second brain stroke. She was with her family and her caregivers who requested privacy at this time.

Surekha Sikri (19 April 1945 – 16 July 2021) was an Indian theatre, film and television actress. A veteran of Hindi theatre, she made her debut in the 1978 political drama film Kissa Kursi Ka and went on to play supporting roles in numerous Hindi and Malayalam films, as well as in Indian soap operas. Sikri has received several awards, including three National Film Awards and a Filmfare Award.

Sikri won the National Film Award for Best Supporting Actress thrice, for her roles in Tamas (1988), Mammo (1995) and Badhaai Ho (2018). She was awarded the Indian Telly Award for Best Actress in a Negative Role in 2008 for her work in the primetime soap opera Balika Vadhu and won the Indian Telly Award for Best Actress in a Supporting Role for the same show in 2011. In addition, she won the Sangeet Natak Akademi Award in 1989 for her contributions towards Hindi theater. Her last release Badhaai Ho (2018) got her immense recognition and appreciation from viewers and critics. She won three awards: the National Film Award for Best Supporting Actress, Filmfare Award for Best Supporting Actress and the Screen Award for Best Supporting Actress for her performance in the film.

As a fitting tribute to the great performer she was we will listen to her mellifluous recitations of Hindi and Urdu Poetry. But before that, here are some of the tributes which poured in on social media and otherwise from her millions of admirers, and eminent people whom she knew, including actors and directors from film, television and theatre.

Ashish Abrol, Income Tax Commisioner, laments: “Surekha Sikri or Surekha di as we called her passed away today morning. I cannot get myself to accept that she is no more. I came to know her in 1985 when she was a faculty member in NSD and came completely under her thrall as she became a mentor, teacher, older sister and a maternal figure for me. Her panache, idiosyncrasies, brilliance as an actor and her erudition… often when her silences taught you more than lectures of so many others. Her love for chaat and the occasional joint… later of course she could not eat much courtesy the intestine problems. She was perhaps the greatest theatre actor ever in modern India; some one who could emote and yet be aware of her own performance as if standing out of her body observing herself perform. More than that she was always overflowing with warmth that traveled to you through her twinkling often mischievous eyes. She was so thrilled when her son Rahul had an exhibition in The Habitat Centre …I was not in touch with her for some time more since her paralysis and with her inability to speak. A triple national award winner; Surekha ji was known to the country at large courtesy her TV and film roles…in Tamas, as Dadisa, in Mammoo but it is her oeuvre in theatre that is stunning; she owned the stage, set it on fire and then doused the flames with her voice and gentleness. RIP Surekha di my mother in another life you live on in your performances and our memories”

“She was one of my personal favourites .. a lovely actress .. will never forget her Nsd work when I was in college in delhi .. god bless her” – Lillet Dubey

“There is a total immersion in life…have deeply admired her work, her persona from the Nsd days, so fully engaged in enjoying everything that came her way intensely” – Amba Sanyal

“Surekha my dear dear friend! We were in the same batch! A consummate actress,very strong woman , determined and brave! ! Never let go of her beliefs and strong options! I shall miss her dearly” – Amal Allana

“Very very sad news. We have lost another great actress. Surekha Sikri left for her heavenly abode. Heartfelt condolences to her family. May God rest her soul in peace” – Satish Anand

“Another great loss to theatre and films. She was a great actor and inspiration to all her juniors at NSD. Will never forget her superb performances. Rest in peace Surekhaji” – Anila Singh Khosla

“Deeply saddened – was always uplifted by her rendering of Faiz’s poem- may she rest in eternal peace” –Salima Hashmi

“Shocking news. She was one of the few who defined theatre for us in our youth. What a great loss for all of us” – Rajiv Bhargav

“Last of the greatest products of NSD..and loved and respected hugely for her talent and principles. Will be sorely missed” – Dolly Thakore

Tail Piece: Surekha Sikri was very fond of poetry. Listen to her reciting poetry by Faiz, Raghuvir Sahay & Sarveshvar