Humour in Class Room

Children Are Quick and Always Speak Their Minds


TEACHER: Maria, go to the map and find North America .
MARIA: Here it is.
TEACHER: Correct. Now I ask the class, who discovered America ?
CLASS: Maria.


TEACHER: John, why are you doing your math multiplication on the floor?
JOHN: You told me to do it without using the tables.


TEACHER: Glenn, how do you spell ‘crocodile?’
GLENN: K-R-O-K-O-D-I-A-L’
TEACHER: No, that’s wrong
GLENN: Maybe it is wrong, but you asked me how I spell it.


TEACHER: Donald, what is the chemical formula for water?
DONALD: H I J K L M N O.
TEACHER: What are you talking about?
DONALD: Yesterday you said it’s H to O.


TEACHER: Winnie, name one important thing we have today that we didn’t have ten years ago.
WINNIE: Me!


TEACHER: Glen, why do you always get so dirty?
GLEN: Well, I’m a lot closer to the ground than you are.


TEACHER: Millie, give me a sentence starting with ‘ I. ‘
MILLIE: I is…
TEACHER: No, Millie…… always say, ‘I am.’
MILLIE: All right… ‘I am the ninth letter of the alphabet’
( You Asked for it) _______________________________
TEACHER: George Washington not only chopped down his father’s cherry tree, but also admitted it. Now, Louie, do you know why his father didn’t punish him?
LOUIS: Because George still had the axe in his hand……


TEACHER: Now, Simon , tell me frankly, do you say prayers before eating?
SIMON: No sir, I don’t have to, my Mom is a good cook.


TEACHER: Clyde , your composition on ‘My Dog’ is exactly the same as your brother’s.. Did you copy his?
CLYDE : No sir, It’s about the same dog.


TEACHER: Harold, what do you call a person who keeps on talking when people are no longer interested?
HAROLD: A teacher





TWO-FACED MASK a poem by Adriana Scanferla

Behind the first feature
blood is filtered mixed with sweat
a consequence of the effort
over a mouth twisted by an eager grin
hangs an indignant forehead.

The other mask is sweet and passionate
sharing and merciful in God
one who has learned suffering and absence
Sweet kisses lavished on tender flesh
in the fragments of instants
stolen from life’s cares.

Translated by:
Ute Margaret Saine & Scanferla Adriana




Coming up @ Studio Safdar in February ’18

February 22, 23. Thur, Fri. 1:30 pm.
Mandala – The Magic Circle presents Akkarmashi based on Sharankumar Limbale’s autobiography with the same name.
It is a touching story of an illegitimate child born out of an unconventional and socially immoral relationship between a man and a woman.
In the story the writer tries to establish his identity by not just clinging on to his mother for support but also questioning the entire social system which perpetuates oppression and discrimination.
The author has beautifully woven the words to bring out the suppressed anger, inferiority complex and anguish of the illegitimate child in the context of present social set up and caste system. 60 min. Hindi.

February 25. Sun. 6:30 pm.
India Foundation for the Arts invites you to The Goddess and Her Lieutenant. A presentation of research on the Poothan Thira ritual performance in North Kerala by Sarita Sundar.
The Poothan Thira is traditionally performed during Velas or Poorams—festivals associated with temples, which also act as contact zones where cultures meet and clash. The performance ritual is believed to cleanse and purify villages and towns of evil spirits. The performers dress up as Poothan,the lieutenant of Shiva, and Thira, the goddess Kali. Based on conversations with community members, artists and spectators, Sarita will discuss the creation of biographies of ten objects related to this form, within the larger context of museums and understandings of heritage, knowledge, and cultural agency in India.
Sarita Sundar is a Graphic Artist and Researcher and is presently involved in research and writing on heritage, popular and visual culture and design theory.

Studio Safdar
Advisory: Avoid driving. Finding parking is tough, particularly on Saturdays and Mondays. If car unavoidable, park at Shadipur Metro Station’s parking.
Metro: Shadipur on BLUE line
Directions: Shadipur metro – Satyam Cinema (now Inox) – cycle ricksha – ‘Biyaasi number’ – May Day next to Rahmat Medical Store.
📞: 9818386114




Ghalib on 20th Feb ’18




DEFENDING CHAMPIONS JINDAL PANTHER PICK UP THE BMW INDIAN OPEN POLO CHAMPIONSHIP 2017 TROPHY

New Delhi, November 26, 2017: The BMW Indian Open Polo Championship, the
oldest trophy at stake on the Indian Open Polo Circuit which got underway
in the capital on November 22 with the league rounds, culminated today into
the finals at the Jaipur Polo Ground, with the top two teams the Jindal
Panther and Sahara Warriors Achievers battling it out for the top honors.

Both teams were geared up to play the 117th year of the Prestigious IPA
trophy. Star players like Naveen Jindal, Satinder Garcha, Abhimanyu Pathak,
Shamsheer Ali, Mattew Perry won audience’s heart from the beginning.
Shamsheer Ali opened the scoreboard for Jindal Panther with his three quick
successive goals followed by Simran Singh Shergill scoring one. While,
Sahara Warriors Achievers could not open its account in the first chukkar.

The second and third chukkar saw Sahara Warriors Achievers opening with
Abhimanyu Pathak scoring the first goal for the team. Making the score, 3
goals to 1 with Jindal Panther leading from the second chukkar.

The third chukkar, twisted the game with 2 back to back goals for the team
with Abhimanyu Pathak again getting his third goal of the day while, Jindal
Panther’s Simran Singh Shergill could only manage to score one goal for
this team. A Similar scene was witnessed with another goal from Abhimanyu
Pathak, but Shamsheer Ali played stronger and scored two goals for his team
with one being a 30 -yard penalty . The end score of the forth chukkar was
7 goals to 5 with Jindal Panther all set to win another championship.

The fifth chukkar, was the nail biting round of the day. The stands were
packed with the crowd cheering for their respective teams as Sahara
Warriors Achievers made a surprising comeback scoring a sole goal in the
end of chukkar.

In the final chukkar, Sahara Warriors Achievers almost gave a scare to the
Jindal Panther , nicking in two more goals, scored by Abhimanyu Pathak and
Mattew Perry respectively. But, Italian Star Cutinelli Goffredo scored
three back to back goals for Jindals Panther, making them the most
anticipated winners. The final scoreline read 10-8 in favour of Jindal
Panther, making them champions of the BMW Indian Open Championship for
the second year in a row. The Most Valuable Player of the tournament
was un undoubtedly
Abhimanyu Pathak as he scored the maximum number of goals . And the Best
Polo Pony was won by Shamsheer Ali’s Elerstina.

Scorers for Jindal Panther: Shamsheer Ali (2) Simran Singh Shergill (2)
Cutinelli Goffredo (4)

Scorers for Sahara Warriors Achievers: Abhimanyu Pathak (7) Mattew Philip
Perry (1)




Geeta Chandran to Perform at IHC

rajivchan@gmail.comIHC/rajivchan@gmail.com has invited Dancer Geeta Chandran and her Natya Vriksha Dance Company to present ANEKANTA at the Stein Auditorium, India Habitat Centre, New Delhi.

The key leitmotif of Chandran’s ANEKANTA is that there are multiple
realities to every issue – cultural, political, social, economic and, in
fact, every aspect of life and living! ANEKANTA celebrates acceptance of
multiple truths, embracing diversity and of universal acceptance.

In group choreographies, Geeta Chandran views ANEKANTA through dramatic
dance strategies like an ALARIPPU presented in three speeds; of exploring
GRIHABHEDA through movement; and finding linkages between SOUND and
SILENCE! She also presents NABAGUNJARA, a thrilling episode from an Oriya
Mahabharata.

In her solo choreography, Geeta’s abhinaya will throw the spotlight on
RAVANA, King of Lanka, known in all three worlds as an exemplar Shiva
Bhakta. And yet, universally considered a monstrous villain. Yet, within
the Valmiki Ramayana itself, there is evidence that he was so much more.
And these shades offer the dancer an opportnuity to explore ANEKANTA within
the context of the Ramayana.

Music for ANEKANTA is designed by Geeta Chandran in close collaboration
with K. Venkateshwaran and Dr. S. Vasudevan. This lyrical music-scape is
further enhanced with rhythmic inputs by K. Sivakumar and Lalgudi Sri
Ganesh adding verve and vibrancy to the production.

Yet another path-breaking dance concept by Dancer GEETA CHANDRAN, ANEKANTA
aspires to bring valuable oxygen to the larger public discourse on
identity. It is a powerful artistic statement of Dancer Geeta Chandran who
has moved tradition forward with her strategic performances.




Neeraj Gupta Wins Silver in Florence Biennale

Sculptor Neeraj  Gupta became the first Indian artist to get the  Lorenzo il Magnifico SILVER  medal in sculpture in XIth Florence Biennale,  the second highest award of  an important art event of Europe.  The award is significant because it comes from the Birth Place and work place of the most important  artist of the history Michelangelo.

Michelangelo not only established the role of an artist in the society but also took the art to a new high. He proved that the best in the art is yet to come and demolished the myth that best art was created in Roman Era.

So this important award to an Indian sculptor improves the Image of India in terms of artistic capability on the international scene  but also proves that Indian are second to none intellectual and art areha also.

The award was also significant because there was a staff completion from more than 1000 participating artist from around 73 major nations. Their award will help put the contemporary Indian  art in international  focus.




Malika Ahluwalia ‘ARTiculate2’

Malika Ahluwalia is showcasing her works for the third time. She is a young artist based in Delhi, who has studied art under her mother Illoosh Judge Ahluwalia, a renowned artist. The two artists are exhibiting their works together in an exhibition titled ‘ARTiculate2’ at Arpana Art Gallery near Siri Fort Auditorium. Both the artists use only a palette knife for their work, no brush is used, and the medium is oil on canvas.

Malika studied at Sanskriti School in New Delhi and completed her graduate degree in Statistics from Lady Shri Ram College. Her other interests are Horse riding and reading. She is an animal lover and part of the proceeds of this exhibition will go to an animal rescue centre namely The Asswin Project (for donkeys, horses and cattle).

In the six years since her first show Malika has progressed and evolved as a painter and critics and art aficionados have commented favourably on her works and realistic style. Among the personalities who have appreciated her works are the late Khushwant Singh, the late Vasant Sathe, Dr Farooq Abdullah, art critic Suneet Chopra, author Uma Vasudev and columnist Jug Suraiya to name a few.MALIKA2017_1




‘MAND’ folk songs of Rajasthan by Kachra Khan Mangniar

Sangeet Natak Akademi presents Special Documentation and presentation of ‘MAND’ folk songs of Rajasthan by Shri Kachra Khan Mangniar on 28th June 2017, 4:00pm onward at Meghdoot -III, Rabindra Bhawan, Copernicus Marg, New Delhi – 110001.
Entry Free

Mand




Meeting With Master

by
Vanisha Uppal

In the year 2010 I had an intense inner desire to read Bhagavad Gita. After reading it a couple of times, I realised that somehow, somewhere I was missing the point, so I read it again and again. Each time I discovered a new insight which, it seemed, had never been told before. I felt Krishna was telling something, which was hidden behind the literal words. It was difficult to understand what needed to be done. Only thing I understood was, that I should follow my heart, else not following my heart would eat me up.

My destiny had a plan for me and I was ready to receive it. My grandmother’s death became the turning point in my life, for the cremation of ashes, whole family went to Haridwar. After completing the rituals, we all decided to go to Rishikesh, to a known ashram near Triveni Ghat. After spending two days in peace, on the third and last day of our trip, my Papa, my sister and I, went to Triveni Ghat early morning. The view of the river Ganga and the Ghat caught my eye. I did not want to leave the sight of it, however, my sister, dragged me away from it.
We were back in Delhi. I started getting some beautiful dreams connected to river and water. Something was pulling me from inside. One day, I packed up my little bag, for no reason at all and took a night bus to Haridwar. I got down in early dark morning somewhere in Haridwar. I took an auto and went to Triveni Ghat with a plan to be there for three days. The view of Ganga gave me immense happiness. The whole first day I was sitting at bank of river, doing nothing, watching the water flowing, taking an occasional bath and eating very little.
Next day, by afternoon, I suddenly became very sad. While walking on the bank of the river, I asked God “why am I here and how do I attain you?” Immediate I got the answer from inside, “reach no duality”. I asked again, “Tell me the way to reach to no duality”. I kept waiting but no replay came. In the evening out of nothing, I had a desire to buy my birth stone. From where to get it? I remembered my visit to Rishikesh in childhood; there were many gem shops near Laxman Jhula.

Next morning I took an auto and went to Laxman Jhula, got down in front of Kriya Yoga Ashram Gate. I overlooked that, silly of me, and went straight to closest gem shop and bought my birth stone. Soon after that I got a phone call from a friend, in the middle of the conversation, very causally he mentioned about Kriya Yoga teaching in Rishikesh. Don’t know why the word Kriya Yoga was all over my mind. “If I am here then why not look for Kriya Yoga”. I intensively started looking all around, without any clue about Kriya Yoga. I walked down the whole mountain and around the Ganga, and became very tired. I finally reached across to the other end up to Ram Jhula. I stopped by at Shivananda Ashram and asked, “Is there any Kriya Yoga learning centre near by”. They told me you just passed it in the back.

Mystically, my starting point was my destination, I guess I had to make whole journey to realise this. It did not take me long to decide that I would like to come back next month for the Kriya Retreat which would be conducted by Master Per. I neither saw any website nor read anything about Master, yet I was extremely happy to enrol myself for the course.

It was the 6th of September 2014, first time, I saw Master at the initiation, and I still remember his deep blue eyes, humble nature, yet having confidence like a lion. His silence needed no introduction. He was very different from the conventional and tradition Sadhus. He was not wearing any outer symbolic signs, like orange dress, beard and an attitude of having attained so much.

Everyone feels so comfortable with him like being with a true friend. He treats everyone equally. He neither brags about himself, nor does he give any theoretical knowledge. He inspires others to practice and to have their own experiences during the retreat. His teaching is to the essence.

His guided words, during the practice, always help me to go deeper in my own being. I was eagerly waiting to hear his voice in middle of the practice. His whole being is filled with so much of silence. His mere presence and voice is a complete meditation. At first I thought how he can teach the most difficult thing ‘to meet the true self’, in the most simple way, whereas others have written big books and talked great on spirituality. But now I know, that the one who knows the subject so very well, can only teach and make it simple for others. Before every session I close my eyes with Master’s vision, sitting on chair with white shawl on his legs, that is the magical view for me.
My first two residential retreats, I willingly maintained maximum outer quietness. I watched master coming out of his room and going for long walks. His presence changes the whole atmosphere of the place. He carries an aura of light with himself. People around him are touched by the joy of freedom and love. Instantly a poem surfaced from the bottom of my heart after the first retreat with him.

During those days, I was sitting on the first floor, the glass door was closed, no one from outside could see inside. I saw master came out from his room; he wore his shoes and gave one glance to the glass door, as if something was pulling him towards upstairs. He hesitantly took one step up and after a little wait he took one more step. I was watching this and thought; “Would he climb up to me or will he just turn around and go for his walk, I have come a long way in search of him, he should also find me too”. Slowly he hesitated but climbed to the last platform and immediately I opened the door. He was very happy to see to me and I too was. He sat with me and asked some questions. It was a ten minute talk. His presence intoxicated me.

I went back home after the retreat, two things I was sure, first Kriya Yoga is meant for me and second I would join Master every time he comes to India for a retreat. I took the practice very sincerely. In meditation I got connected with him, I could feel his presence, it was very strong. I eagerly waited for next retreat, literally counting the days.

Master Per has lived his whole life while handling the duality in the most beautiful way. He does it effortlessly, we however makes tremendous efforts to reach to the silence, which we are unable to sustain for long. Managing to hold on to the inner silence for a longer time is itself a great task. We easily fall back to restlessness and duality. Whereas, he swiftly travels from ‘duality’ to ‘no-duality’ and sustains it. He says “More silence inside improves everything in life”. He supports his disciples when one is in the practice. Master has ability speed up one’s progress and give the experience of beyond if one is in regular practice.
He taught me how to breathe, as if I have never taken breath in the same way before.

Poem below ———-

MASTER

An Aspiring face of moon after dark night
Like a fragrance spread through and might
Just looking at him, all my doubts are gone
All questions are answered in his silence drawn
He knows everything, how can one hide,
An Aspiring face of moon after dark night

His silent presence is greater than million words,
He knows how and when to guide
He spends his lonely long hours in bringing down the light,
Just to give our soul a greater height
An Aspiring face of moon after dark night

His looks pour nectar on our rough and dry restless souls,
The words he utter as instruction are so very pure,
Just we have to be receptive to get it right,
His love is infinite and selfless, he doesn’t hold anyone so tight
What if he is physical apart, that does not make him too far,
He is in my heart, I can feel him and sees him beside.
An Aspiring face of moon after dark night