Monthly Archive: June 2018
The Plays Sorry Mamma In this play, the mother thinks that she is aware of her daughter and son’s activities, whereas, on the other hand the children are thinking vice-versa.The things they see, listen...
The Play Afternoon + Evening With A Faun is a show in two parts, without a clear separation. It departs from Nijinski's 12 minute piece & The Afternoon of a Faun', which Astman first...
The Play The play is about one of the many incidents that have happened in the life of Balwant Gargi. Soutan deals with the incestuous relationship between a mother, a son and a daughter,...
The Play Shri 420 is an Indian adaptation of Molière’s masterful 17th century French comedy Tartuffe. It was adapted into Hindi by Atul Tiwari and performed for Australian audiences in 2017. The plot revolves...
The Play From the day plastic was invented, humans have used it in almost each and everything except the edible stuff. We use this plastic, a non-degradable material, daily, because of its extreme user...
The Play 1920’s – Poland and Lithuania are under Russian occupation. Poles and Lithuanians are deprived of civil rights. They are oppressed, imprisoned or sentenced to forced labour deep into Russia and Siberia. Guślarz...
The Play & Director’s Note In today’s world, while we claim that the nations have come closer to each other, this global convergence has also unleashed a strange trail of war, violence and up-rootedness,...
The Play In order to rehabilitate the widows of Behmai massacre, the government opened an incense stick factory. Until killing the jailed Bandit Queen of Chambal, Lala Ram Thakurain postpones the last rites of...
A man takes his seat at a FIFA world cup final. He looks to his left & notices that there is a spare seat between himself & the next guy. MAN: “who would ever...
______________________________ TEACHER: Maria, go to the map and find North America . MARIA: Here it is. TEACHER: Correct. Now I ask the class, who discovered America ? CLASS: Maria. _______________________________ TEACHER: John, why are...